bultal

@bultal

105 Following

12 Followers

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Beautiful water city

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The pyramids look so spectacular at night.

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Marsa Matruh: where the sea looks photoshopped, but your heart knows it’s real.

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Nice atmospheric photos.

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looks so interesting

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Blocking me on social media but snoring right beside me is INSANEEEEEEEEE‼️🚩😭

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Jessi ⌐◨-◨

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How does one begin hosting founder dinners and getting someone else to pay for them?

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BM to those who still love art 🖼

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baseforever🔵.base.eth

day 17, Platform 17🔵 anglez anglez.xyz Abstract, generative NFT art that is customisable, fully on-chain and 100% generated by Solidity code. Created by volstrate, customised by you!

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ted (not lasso)

friendly reminder that replies do matter thoughtful (not AI-generated) replies are how i built my community and friendships here early FC lore: for a long ling time, there was no quote cast, only recast and recasts were weighted less than replies because conversations are critical to building a social *network*

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This year is going to be very intense professionally. I’m super excited but also need to remind myself to find balance because I have a tendency to be a workaholic. But yeah. Some really awesome stuff coming up that if you had told me a few years ago I would be involved in I would have said no way. Higher.

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tldr (tim reilly)

Jake Gyllenhall’s Iago was an absolute revelation — as in, it was a performance that revealed the play. It’s hard to know where to start. He made the “motiveless malice” feel emotionally motivated despite coldly calculating. He moved with ease between bully and orator; snake and sniveler; actor and director. He not only manipulated all action, he manipulated the audience too. It occurred to me for the first time that Iago is likely Shakespeare’s depiction of the devil himself (I believe the text suggests it too) It’s striking to say this, but such a brilliant pitch left nearly no room for Othello himself. Even Denzel’s Othello. (I actually do wonder if the play itself is meant to be this way.) But Denzel had his spot in the final scene. Reversal and recognition. Pity and fear. It might be the most perfect Aristotelian tragedy since Oedipus. I hope you can see this production. I may see it again, since this is only Day 2 of Previews and I think it can still go from great to legendary.

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