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Zach Lipp pfp
Zach Lipp
@zachlipp
Seeing Tezos, Eth, and Solana prices rise as well as what it costs to mint artworks at the token native prices makes me think about the future of our art collections. It would be impossible to replicate what many of us have built over the past few years. What I’m excited to see is what we all do with these art collections. That is a frontier that has barely been tapped. Zoom out and use your imagination and the future looks phenomenal to those who are here right now building something meaningful.
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Ada Crow 🎩 pfp
Ada Crow 🎩
@adacrow
I don't know if I will live to see it, but I think that what we have been doing for years will be important in the future. Who knows, maybe we will be part of a new generation of artists and thinkers that will be called in some strange way haha.
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F. Dilek Yurdakul 🎩Ⓜ️
@fdilekyurdakul
I can't imagineee
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Koray
@korayozpalamutcu
I never forget about my very 1st small edition on OS which you did not grab one piece. Still feeling sad about that even maybe you remember our chat on dm about it . This one i ment
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Blue Cockatoo
@bluecockatoo
Do you “trust” the long term viability of building collections on the cheaper chains and L2s vs ETH L1? I have been debating with myself for months about where to mint and now have too many things to mint for the cost on ETH L1, but Base isn’t even a real L2 (it is still supported/centralized by Coinbase) and the other L2s, even Shape which supposed to be dedicated to art, don’t have easy on-ramps or large art communities yet. The Tezos Foundation is a bit shady and Solana has issues where transactions are halted or slowed down for a while which makes it seem kind of untrustworthy. Just curious what you think as someone I feel is a serious collector. Provenance is important, but so is the ability to afford to build a collection when you don’t know for sure whether you will ever find collectors for it.
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