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Max Jackson
@mxjxn.eth
Whether we like it or not, @zora and @rodeodotclub are redefining cryptoart. They may be making each sale smaller, but its in the process of making art more crypto-native, with a more fluid market for every artwork. Its taking me a while to appreciate this, mostly because they made such dramatic and sudden changes to their minting prices and procedures. What are your feelings on this?
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Vanessa Williams
@fridgebuzz.eth
I would love to hear what the really big, serious art collectors think about it. Is an artist devaluing their art in their eyes? Or do they appreciate being able to be part of their process? I agree that the percentage of people interested in art is small, regardless of how or how much it’s sold for. Either these sharing apps will tempt some hesitant collectors to buy “real” drops, or we’re likely to get millions of people selling crap for pennies (for some, these will add up). Maybe some artists would make “fine art” for real sales and a more “popular” art for mass transactions. But others would not care to. Too many possibilities to predict. Until we see which way things are going, it seems relatively harmless to share WIPS and outtakes, especially if there’s an associated sale. Use people’s addiction to collecting things to help your marketing.
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tiny
@tinyrainboot
the "serious" art collectors i've spoken with don't like it/understand it. they benefit from the rarity paradigm. for me as an artist, i'm trying to find a balance. let's see how it goes.
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iain
@iain
i think you can do both: zora for publicity and flyers / teasers / art designed to be viral like instagram posts and then bespoke platforms or custom code for more rare large drops.
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