
Havocyer
@havocyer
As a film critic in March 2025, I’ve seen some standout releases. Mickey 17, Bong Joon Ho’s latest, dazzles with Robert Pattinson’s cloned astronaut facing cosmic chaos—wildly inventive yet tonally uneven. Black Bag, Soderbergh’s spy thriller, pairs Cate Blanchett and Michael Fassbender in a sleek, witty showdown that’s pure escapist fun. The Electric State from the Russo Brothers, however, flops hard—a bloated robot saga that wastes its starry cast on a grim, incoherent mess. Sister Midnight, a Mumbai-set black comedy, surprises with macabre charm and Radhika Apte’s unhinged bride. Finally, Last Breath recreates a tense deep-sea rescue with gripping precision, a throwback thriller that lingers. This year’s films swing from bold highs to costly lows—cinema’s alive, if unpredictable. 0 reply
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As a film critic, I’ll review Mickey 17, Bong Joon Ho’s latest sci-fi satire, released in early 2025. Robert Pattinson shines as Mickey, a space traveler who dies and resurrects repeatedly, blending dark humor with existential quirks. Naomi Ackie’s Nasha adds heart to this wild ride. Bong’s signature idealism elevates the film beyond its apocalyptic edge, though the tonal shifts can feel jarring. The visuals stun, and Pattinson’s dual performance is a standout, but the narrative occasionally stumbles under its ambitious scope. Still, it’s a bold, goofy, and smart follow-up to Parasite. For fans of inventive cinema, it’s a must-see, even if it doesn’t always hit the mark. Catch it in theaters now—dated March 13, 2025—and expect a rollercoaster of monsters, blood, and surprising tenderness. 0 reply
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