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this is cool
and ironic.
Just yesterday, I had wrote up the parallels from the book marketplace to free software (fsf).
I cant let it go to waste, and I have a question… so here we are.
With physical books, there exists the ‘first sale doctrine’, where- when one buys a copy, they are free to redistribute it. Ex. Libraries can lend it, Used book sales
The problem with this, is the author does not get a cut in either case. The library does not have to pay the author, the individual selling second hand will not give a percentage to the author.
With the internet, however, creating copies is extremely easy.. Therefore, redistribution puts the author at risk even moreso—to losing revenue due to second hand sales.
The licensing model amazon uses—where customers do not technically own the books they buy— seems to somewhat protect authors on the internet.
i.e Limiting second hand sales increases revenue for authors, and a byproduct ofc is helping amazon stockholders… lol 2 replies
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All forms of art are in conversation with their predecessors, so provenance is really a spectrum. At one extreme, if I was inspired by the writing style of Charles Dickens, I think we can all agree that I wouldn't owe him royalties, even if his work wasn't in the public domain.
So then where do we decide to draw the line? For some authors I've spoken to, they just want people to read and enjoy their books, and so for them, getting the word out is the most important part. Many authors give away free ebooks without DRM as a marketing strategy. For many authors, on the other hand, they want to protect their IP and they don't want to encourage it to get shared everywhere without copyright protection. I think both views are valid. Artists deserve to be compensated for their work.
Web3 and smart contracts give us opportunities to explore more frameworks along that spectrum of how much do we paywall IP, how much do we track attribution and compensation to contributors. 1 reply
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