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OTTI🎨🖌
@zeuzc
Hi I’m otti im part South African and part Belgian also a final year student of civil engineering currently at hasselt university,Belgium. today I’ll like to dive deeper into my creative process and share some personal narratives,I’ll also share a charcoal sketch mint I did specifically for this feature called Moxielisa. Stay tuned follow through and keep your questions for the AMA. As I’m writing I’ll be dropping some sketches I’ve done throughout my stay on farcaster with the first including @jonathancolton and @lampphotography
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OTTI🎨🖌
@zeuzc
As an artist, I've always been fascinated by the versatility of pencils and charcoal. There's something magical about transforming simple marks on paper into vivid, emotive pieces.
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OTTI🎨🖌
@zeuzc
I remember my first encounter with pencils as a child. I was mesmerized by the way graphite glided across paper, creating soft, whispery lines. As I grew older, I began experimenting with different pencil grades, discovering the range of tonal values and textures I could achieve.
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OTTI🎨🖌
@zeuzc
Charcoal, on the other hand, was a game-changer. Its expressive, gestural quality allowed me to capture dynamic movements and emotions. I recall spending hours practicing charcoal sketches, feeling the immerse sensation of vine charcoal scratching against paper.
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OTTI🎨🖌
@zeuzc
My Creative Process When starting a new piece, I usually begin with a loose pencil sketch to plan the composition. This helps me visualize the overall flow and balance. Next, I refine my lines with a finer pencil, paying attention to contours and shapes.
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OTTI🎨🖌
@zeuzc
Once I'm satisfied with the drawing, I move on aesthetics using charcoal. This stage is crucial in establishing contrast and depth. I experiment with different charcoal types and techniques, such as hatching and cross-hatching, to achieve the desired mood.
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OTTI🎨🖌
@zeuzc
Layering and Blending To add dimension and texture, I build layers of pencil or charcoal marks. This process requires patience, as I carefully balance light and dark values. Blending stumps and tortillons become my best friends during this stage, helping me smooth transitions and merge edges.
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