Movies

The female filmmakers I love! Agnès Varda, the grandmother of the New Wave | 02
▪️The Gleaners:  Varda picked them up one by one into a small handheld DV, the crowd will change with the music, the painting of weighing rebirth and hell in religion is cut into grotesque and interesting sections, and the name of surrealism is reflected in the mirror. The plan to fill the stomach and pride of the forced scavengers, the abandonment and communication of modern material desires, and the beginning of the exhibition hall where artists turn waste into treasure, the balance point between "art" and "life" was lifted up by Varda with ease, and the exploration and tracing itself seemed to be as simple and playful as a cat picture or a walking person: since you are already on the way, you don’t have to pursue meaning; scavenging can also be fun, and it’s hard not to "eat meat porridge".