Polly Janae
@resulto
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Sharing some favorite classical movies | 02
▪️ Shouts and drizzle: red, white, black. Shouts are the gloomy and moving peaks, and after reaching the top, there is the roar of heavy rain. Those women in gorgeous clothes who are hopelessly kept, placed, left still, and displayed cannot reveal their shouts, so they hide their voices. The drizzle takes away the whispers, densely weaving the hills covered with mist, the whispering soil, and the names of gravel. 0 reply
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Sharing some favorite classical movies | 01
Compared to BBC or post-millennium British pastoral movies, it is more cautious, solemn and solemn in lighting, composition and scene arrangement, and the narrative is closer to literature or drama. There is no or less use of modern editing such as montage and jump cuts to achieve classicism in form and content.
▪️Death in Venice: discusses purity and pretense, the opposition between soul and flesh, the sensory characteristics and soul characteristics of art, youth, beauty and, aging and death, reminiscing about the emptiness and sadness of the passing years, and the cheerful temperament of Florence in summer. A person who has been pursuing the balance between art and morality all his life meets the ultimate beauty in this life, but when he realizes the existence of beauty, he understands that his emotional connection is incompatible with secular ethics and moral constraints. So he was covered with oil paint and sat under a parasol waiting for death. 0 reply
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Share some favorite meta movies/movies about movies
Share some movies about meta movies, centered around directors/screenwriters/filmmakers/movie fans. The concept of "meta movies" here is also relatively broad, and I have roughly defined movies with movie elements.
▪️Rifkin's Film Festival｜Woody Allen
Relatively speaking, I think it's not that good. Woody Allen played a fan joke here, Wild Strawberries, Eight and a Half, Mask, Film Festival, Arty Old Youth, Travel Encounter, but the discussion is relatively superficial, staying on the simple menu. But the picture is beautiful, relaxed and leisurely.
▪️Pastoral Festival of the Dead｜Shoushan Shuji
I personally think it has the same purpose as the Holy Mountain and Eight and a Half, all of which explore the reality by pointing out the fictional existence of movies. Dreams/memories/reality are intertwined, like a gorgeous kaleidoscope. It is worth mentioning that the aesthetics of this film is unique. 0 reply
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My favorite female filmmaker! Agnès Varda, the grandmother of the New Wave | 03
Childlike, interesting, imaginative, and passionate
Any compliments are not too much for her.
▪️ Jacques Demy in Nantes: Agnès's love letter to Jacques Demy, and Jacques Demy's love letter to movies. Simple, sincere, and honest, Jacques Demy's love for movies is almost overflowing. The last beach, love for husband, love for wife, love for time, love for movies, love that can accommodate everything. 1 reply
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My favorite female filmmaker! Agnès Varda, the grandmother of the New Wave | 03
Childlike, interesting, imaginative, and passionate
Any compliments are not too much for her.
▪️Pure freedom means pure loneliness. Mona has no roots, like a willow catkin sitting on the ground, with nowhere to rest, and the world is her home. Without soil, nutrients, and air, she cannot grow into a complete tree, and is cut off prematurely like a split branch. Perhaps Mona chose to cut off the umbilical cord between herself and society with her own hands. The necessities of growth are the chronic suicide of the soul and the burden of corroding freedom. She just stopped when she still had a choice. We can only follow the traces to find plum blossoms in the snow. After all, none of us has lived like this. 0 reply
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The female filmmakers I love! Agnès Varda, the grandmother of the New Wave | 02
▪️The Gleaners: Varda picked them up one by one into a small handheld DV, the crowd will change with the music, the painting of weighing rebirth and hell in religion is cut into grotesque and interesting sections, and the name of surrealism is reflected in the mirror. The plan to fill the stomach and pride of the forced scavengers, the abandonment and communication of modern material desires, and the beginning of the exhibition hall where artists turn waste into treasure, the balance point between "art" and "life" was lifted up by Varda with ease, and the exploration and tracing itself seemed to be as simple and playful as a cat picture or a walking person: since you are already on the way, you don’t have to pursue meaning; scavenging can also be fun, and it’s hard not to "eat meat porridge". 0 reply
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Talk about your favorite actresses
I love the actresses in the film so much
Elegant, intellectual, psychedelic, romantic, innocent, sexy, uninhibited, is the muse of beauty
The actresses I like include but are not limited to
▪️Eva Green: Eva Green's temperament is evil, gloomy, and seductive, but she has this magic that makes you fall in love with her "badness" unconsciously. I like her "Inception" the most.
▪️Tilda Swinton: Genderless elf. "Orlando", "Constantine", "Only Lovers", "Memento", Swinton is not like a person in this world, not like a man, not like a woman, like an angel on the other side of the scale quietly gazing at the world, watching the joys and sorrows, and the separations and reunions with compassion and doubt.
Other favorite actresses include Anne Hathaway, Scarlett Johansson, Anya Taylor, Lucy Liu, Uya Thurman, Devon Aoki, Zhou Xun...
Dear Stranger
Let's talk about these actresses. 0 reply
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