Portrait Photography

Portrait of Selin and her newborn. This was the day she was diagnosed with tb and began treatment. Now, three months later, she is doing much better and is almost fully recovered.

Nature

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Founders

How to stand out in a world of AI-driven mediocrity

Shakti Rising

Thank you dear @luigistranieri for collecting 

“Adrift”

2019 | South Africa

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Photographer, Visual Artist | on WEB3 since 2021 https://foundation.app/@Klunk22?tab=owned | 

Thank you dear @luigistranieri for collecting 

“Adrift”

2019 | South Africa

🌊

https://objkt.com/tokens/KT1Px91PndLF3uuabRNt4Wx39cWfjofhJD9X/25?ref=tz2KYjJ21wcqvfDg83XhXBBJxuks2zazkkUQ

SuperRare

GM 😈 

Silent Scream 😈 

Fit for Monday 😂

We visited the military base perimeter with our drones. I focused on flying within legal limits. The base's exterior was imposing.

My Estonian grandfather, Viktor Kollin, was a man shaped by the hardships of his time—a distant and quiet figure to us, his grandchildren. I never really got to know him; he always kept to himself. Like so many men of his generation, he was forced to give up on his dreams, swept along by the collective madness of the era. But he didn’t take the easy way out. He held onto his integrity, even though it meant sacrificing his own aspirations.

In his own quiet ways, he rebelled. He became a journalist for a small regional newspaper because he yearned to write, to tell stories, and to photograph—even though back then it meant working under draconian censorship, feeding into the wide-open mouth of propaganda. But all his spare time was devoted to questioning and resisting the oppressive regime by creating beauty, something so absent from the harsh movements of his time.

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Left: My grandpa around 1950
Right: Blooming buckwheat on film 2021

This morning, I had a long brainstorming session with the Documentary Photography Museum in Tallinn, Estonia, preparing for my upcoming exhibition in August. We spoke so much about my grandfather that my longing to create a project about him and my home country is becoming overconsuming. When I visited Estonia in 2021, I shot mostly on film—it felt like the right approach for a place where time still moves more slowly. I had an innate urge to simplify, to slow down.

Now, I’m pulling every string possible to spend two months there this summer, giving myself the space to sink deeper into the mood, flow, and poetry of this Nordic terrain and its quiet yet warm people.

A female stork on a stormy afternoon
2021 I Estonia

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Happy Monday 

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Hi NATURE frens ❤️ 
My second cast here .
 
I thought this cave could be Plato's cave while taking the photo. 
Do you know Plato's cave doctrine? 
Do you have the courage to get out of the cave?

Kastamonu/ Turkey / 2014 ( Canyon)

Good night fam \\ sweet dreams 💫❤️

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"We take strands of possible futures and collapse them into something specific and strong, like a cord of rope." — @0xstark.eth 

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Zenit 11 
Who still use film camera ?
Istanbul 2015

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"The Abode Of Crows" A full 3D artwork

Have a nice Saturday fam

pradan

@pradan