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Marcelo Terça-Nada 💎🎩✨
@marcelonada
Today (25 September) will be the opening of the exhibition ‘Brasília, the Art of the Planalto’, curated by Paulo Herkenhoff and Sara Seilertat at the National Museum of the Republic, in the Brazil federal capital. I'm delighted to participate with a project that was developed especially for the city. It's an honour to be alongside artists and architects such as: Marcel Duchamp; Cildo Meireles; Maria Martins; Guignard; Lucio Costa; Oscar Niemeyer; Roberto Burle Marx; Rosângela Rennó; Rubem Valentim; Siron Franco; Vik Muniz; Alfredo Ceschiatti; Athos Bulcão; Bené Fonteles; Daiara Tukano; Edu Simões; Frans Krajcberg; Gê Orthof; Jonathas de Andrade; Maria Bonomi; Mary Vieira; Miguel Rio Branco; Milton Guran; Milton Ribeiro; Nicolas Behr; Paulo Bruscky; Paulo Werneck; Pedro Motta; and Wagner Barja (see the full list of participating artists in the link in the bio). The exhibition features 141 artists and 400 works until 24 November. Photo: National Museum of the Republic (© Gonzalo Viramonte)
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Camila 🫂
@camilags
Wow! It seems to be a great exhibition. It is a great mix of artists with different backgrounds. "Brasília" is the common theme? Which work are you showing?
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Marcelo Terça-Nada 💎🎩✨
@marcelonada
Hey Camila, This exhibition is the result of 5 years of research by Paulo Herkenhoff on Brasília and artists related to the city. It is an extension of the exhibition he held at FGV Arte in Rio in the first half of the year. I am participating with a work I did in Brasília as a member of Grupo Poro. In the two links below you will find more information about the exhibition and our work. I hope you enjoy it. https://portal.fgv.br/noticias/fgv-arte-e-idp-inauguram-exposicao-sobre-arte-planalto-museu-nacional-brasilia https://poro.redezero.org/intervencao/outros-setores-para-brasilia/
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Camila 🫂
@camilags
ohhh, que bonito o trabalho. Adorei. Estou pensando que vi algo bem diferente, mas na mesma batida das frases, numa exposição no Sesc Belenzinho no ano passado. É uma obra de Augusto Leal. Eram várias placas diferentes espalhadas pelo espaço. A obra da Charlene Bicalho também jogava com texto e placas. Enfim, são trabalhos diferentes, mas com uma batida parecida. Aqui tem fotos deles: https://amlatina.contemporaryand.com/pt/editorial/exhibition-corrects-black-gap-in-brazilian-art-history/ Eu sou uma das editoras dessa revista.
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