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Coop
@coopahtroopa.eth
Hardest part of working in music is managing splits across so many various parties. - Artist - Collaborators - Labels - Managers My whole thesis for onchain music is that automated splits make this way simpler once programmed but actually getting them set up is still a nightmare. Long ways to go!
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abram
@abram
What's a nightmare about setting them up?
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Joshua Fisher ⌐◨-◨
@joshuafisher.eth
Global legacy systems built on 100+ years of music rights management. Incentives to change the status quo are extremely entrenched and incentives to change are currently non-existent for the biggest rights holders.
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