Tiny, interlinked figures inhabit a vast abstracted city. Some seem to be leaving the Enclo[sure], perhaps climbing towards the hive-like structure of industrial treadmills at the top right. The larger figures at the bottom are ambiguous. They could represent overseers or be inciting the crowd to revolutionary action.

The outbreak of war in 1914 led Lewis to think about the power of political ideas to form and manipulate crowds. ‘THE CROWD is the first mobilisation of a country’, he wrote in the July 1915 issue of Blast.

• Multidisciplinary Artist 
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NFT maker & AI artist, Interested in poetry and art.
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