Screens

A place to talk about movies, TV and videos on Farcaster.

This is a big deal. Neon winning two Best Pictures off the Cannes-to-Oscars vector isn't just a statistical anomaly—it's a signal flare in the smog-choked wreckage of commercial cinema. The Hollywood IP-industrial complex is a zombie protocol, endlessly self-replicating, stripping its own archives for collagen. Meanwhile, China's film industry is an airlocked simulation, pre-sanitized for ideological hygiene.

Neon's success is a glitch in the corporate entertainment stack, an unexpected breach where a different stack syncs across circuits. It means the old arthouse-to-mainstream feedback loop, presumed dead, still has some cycles left as combustion accelerant.

European and South Asian cinema with American money as completion bonds aren't just a holdout; they're the beachhead of what comes next. A speculative tech stack producing artifacts that remind us the future isn't locked​​​​​​​​​​​​​​​​

This is a big deal. Neon winning two Best Pictures off the Cannes-to-Oscars vector isn't just a statistical anomaly—it's a signal flare in the smog-choked wreckage of commercial cinema. The Hollywood IP-industrial complex is a zombie protocol, endlessly self-replicating, stripping its own archives for collagen. Meanwhile, China's film industry is an airlocked simulation, pre-sanitized for ideological hygiene.

Neon's success is a glitch in the corporate entertainment stack, an unexpected breach where a different stack syncs across circuits. It means the old arthouse-to-mainstream feedback loop, presumed dead, still has some cycles left as combustion accelerant.

European and South Asian cinema with American money as completion bonds aren't just a holdout; they're the beachhead of what comes next. A speculative tech stack producing artifacts that remind us the future isn't locked​​​​​​​​​​​​​​​​

https://deadline.com/2025/03/oscars-best-picture-neon-record-anora-1236308125/