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Azerty Betamax
@azertybetamax
I thought some of you might be interested in "268 Years of Reverb", a new 8 hour composition for church organ by Jonny Greenwood.
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Azerty Betamax
@azertybetamax
"268 years of reverb was written to summon all the music, voices and sounds that have ever filled the air and soaked into the walls of a room: to shake or coax them out of the fabric of the building, so they can be heard again – distilled and concentrated into eight hours. "
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Azerty Betamax
@azertybetamax
"In writing this, I was influenced by the classical Indian approach to melodies, where new notes are introduced very gradually into improvised solos – the arrival of each note is so long-awaited, that its arrival is a revelation of a new world."
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Azerty Betamax
@azertybetamax
"Knowing this introduces huge tension into the experience of listening to that music. Also, within the drone of the tanpura are the swirling overtones and harmonics that compound the complexity and beauty of the textures. It’s meditative, but not just meditative, because of this tension."
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Azerty Betamax
@azertybetamax
More information here: https://nnfestival.org.uk/whats-on/268-years-of-reverb/
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LoneWick
@lonewick
Love Jonny Greenwood! This is very interesting. I particularly like the notion of tension as one awaits a new note to be introduced. I wonder if this is applied literally or in some other way in the piece. I imagine it’s a piece you’d have to see live to get even half the intended effect.
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