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2/ In doing so, Lovecraft arguably pioneered what I call the “horror of the gaps” (borrowing from the “god of the gaps”). That horror is present everywhere past the proverbial curtain of our narrow existences: in the higher dimensions of spacetime, in the unfathomed depths of the southern oceans, in the unexplored ridges of Antarctica, in sealed subterranean caves, in the dunes of remote deserts, in the sickly hue of the fog, in a non-Euclidian space, on distant worlds, in strange glyphs inscribed on dark monoliths, in a nonsensical sequence of consonants, in the Cyclopean architecture of forgotten citadels, and everywhere else your nocturnal dreams might take you.
Said differently, if you mapped your own finite knowledge on an infinite sheet of paper, everything outside of that circle would be marked “here be dragons”. That’s Lovecraft’s playground. 2 replies
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4/ The second is from a Reddit comment on true eldritch madness that I once bookmarked:
“An ant doesn't start babbling when they see a circuit board. They find it strange, to them it is a landscape of strange angles and humming monoliths. They may be scared, but that is not madness.
Madness comes when the ant, for a moment, can see as a human does.
It understands those markings are words, symbols with meaning, like a pheromone but infinitely more complex. It can travel unimaginable distances, to lands unlike anything it has seen before. It knows of mirth, embarrassment, love, concepts unimaginable before this moment, and then...
It's an ant again.
Echoes of things it cannot comprehend swirl around its mind. It cannot make use of this knowledge, but it still remembers. How is it supposed to return to its life? The more the ant saw the harder it is for it to forget. It needs to see it again, understand again. It will do anything to show others, to show itself, nothing else in this tiny world matters.” 3 replies
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