aurèce vettier pfp

aurèce vettier

@aurecevettier

299 Following
372 Followers
aurèce vettier pfp
aurèce vettier
@aurecevettier
Very happy of this beautiful piece by @sarahmeyohas. Congratulations on this great collection celebrating GANs with @fellowship
0 reply
2 recasts
4 reactions
aurèce vettier pfp
aurèce vettier
@aurecevettier
aurorium graminis (after transmutation into peradam) Bronze sculpture from AI-generated forms, gilded with gold (body) and palladium (leaves and flowers). Gilded by Atelier Gohard. 90 × 50 × 50 cm AV-2024-U-543 Private collection, Miami
0 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
Thanks a lot
1 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
Merci de tout coeur !
0 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
Thanks for your support!
0 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
Thanks a lot, it's a great recognition for our AI art niche indeed!
0 reply
0 recast
0 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
"Le Monde selon l'IA - The World According to AI" has now opened at Jeu de Paume in Paris. At this occasion, aurèce vettier is showing early GAN sculptures featuring the “latent botanist" alphabet from 2020. Thanks to the chief curator: Antonio Somaini, and associate curators: Ada Ackerman, Alexandre Gefen, Pia Viewing. Special thanks to the DARMO & Gismondi Collection for lending the work to the museum. More on Jeu de Paume website : lnkd.in/eXwZ7GxW Artists: aurèce vettier, @sashastiles, @lindadounia, @holly Herndon & Matt Dryhurst, Kate Crawford & Vladan Joler, Fabien Giraud, Agnieszka Kurant, Christian Marclay, Trevor Paglen, Hito Steyerl… --- LE MONDE SELON L’IA from April 11 till September 21, 2025 Tuesday: 11 AM - 9 PM Wednesday to Sunday: 11 AM - 7 PM at Musée du Jeu de Paume 1 Place de la Concorde, Paris Work: aurèce vettier we will make you bow to the delicate, 2020 Two engraved sandstone tablets, alphabet generated by GANs, burnt and varnished oak frame, 13 × 9 cm each
3 replies
1 recast
4 reactions
aurèce vettier pfp
aurèce vettier
@aurecevettier
3 works from “le travail des rêves” -a series shown at @brightmoments and finalist of @lumenprize- are currently on view at macLYON, Contemporary Art Museum of Lyon (France) as part of the exhibition “Echoes of the Past, Promises of the Future” 💫 Special thanks to Bright Moments teams and @seth for their amazing support.
2 replies
4 recasts
15 reactions
aurèce vettier pfp
aurèce vettier
@aurecevettier
ÉCHOS DU PASSÉ, PROMESSES DU FUTUR ECHOES FROM THE PAST, PROMISES OF THE FUTURE The group exhibition, featuring monumental installations by aurèce vettier, is currently on view at Musée d'art contemporain de Lyon-macLYON until July 13, 2025. On this occasion, @aurecevettier unveils « la traversée de la forêt (crossing the forest), » a large ensemble of monumental works produced specifically for the museum, including three Aubusson tapestries, as well as a collection of bronze sculptures. Additionally, three works from @brightmoments series « le travail des rêves », finalist of @lumenprize in 2024 are presented, along with butterflies generated with GANs and created in collaboration with designer Katarzyna Cichy. With the support of Dimitri De Jonghe Special thanks to Isabelle Bertolotti, Marilou Laneuville, as well as all the teams at macLYON. Exhibition from March 7 to July 13, 2025 Wednesday to Sunday, 11 AM – 6 PM macLYON, 81 Quai Charles de Gaulle, 69006 Lyon Photos by Romain Darnaud.
0 reply
2 recasts
7 reactions
aurèce vettier pfp
aurèce vettier
@aurecevettier
Thank you so much dear @benna
0 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
GAN-generated butterflies In collaboration with Katarzyna Cichy Currently on view at @maclyon_officiel lunamare caelestis (above the waters of Thirassia) lunamare caelestis (among Vatican roses) philomena seraphina (after the Voltaire metamorphosis) The bodies are scultpures in bronze from AI-generated shapes, gilded with gold, set with sapphires, tourmalines, emeralds, topazes, citrines, amethysts, peridots. The wings boast unique AI-generated patterns, archival pigment print on fibred Korean paper.
1 reply
1 recast
8 reactions
aurèce vettier pfp
aurèce vettier
@aurecevettier
"I am committed to contributing to the real world as an artist, helping to gradually repair it." Thread based on an interview of @aurecevettier by Jérôme Sans, Jan 2025. Read more on : https://artinthecageofdigitalreproduction.org (7/7)
0 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
In this new framework, how do we form a society and a shared narrative? How do we contribute to change and repair the world, even on a small scale? (6/7)
1 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
Beyond technology, the artist is becoming a research lab for society. The traditional model of salaried work is declining, replaced by independent clusters working on a project basis. This is already happening in my practice at @aurecevettier. (5/7)
1 reply
0 recast
2 reactions
aurèce vettier pfp
aurèce vettier
@aurecevettier
The #HuggingFace page and open letter quickly went viral. #OpenAI shut down the entire program three hours later—by then, 217 videos had been generated, queues had formed, and the results were widely shared online. The event received international media coverage. (3/7)
1 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
This raises key questions: - How do we retain ownership of our data and creations? - How do we ensure AI tools remain open and accessible? - How do we prevent them from replicating the barriers and biases of society? -- > https://artinthecageofdigitalreproduction.org (4/7)
1 reply
0 recast
2 reactions
aurèce vettier pfp
aurèce vettier
@aurecevettier
At the same time, we released a statement denouncing the exploitation of artists for R&D —as providers of training data and as PR tools for the “overlords of AI.” We called on artists to think beyond proprietary systems and #BigTech constraints. --> https://artinthecageofdigitalreproduction.org (2/7)
1 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
On November 26, 2024, a group of artists and hacktivists, including myself, took action to reopen #OpenAI's technology to the public. We provided indirect access to #Sora, OpenAI’s video-generation model, through an open-source front-end on #HuggingFace. 🧵 (1/7)
2 replies
2 recasts
13 reactions
aurèce vettier pfp
aurèce vettier
@aurecevettier
Absolument. Tous les modèles que j'utilise sont entraînés sur mes photos et données personnelles.
0 reply
0 recast
1 reaction
aurèce vettier pfp
aurèce vettier
@aurecevettier
Currently on view at macLYON, Museum of Contemporary Art, Lyon, FR aurèce vettier, an unsettling synchronicity appearing in the heart of the forest seen through the eyes of a bearded man as the world enters into resonance Tapestry from an AI-generated image, Cotton, Wool, Viscose, Metallic fiber, Acrylic, Polyester and Sequins
3 replies
1 recast
16 reactions