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aurèce vettier

@aurecevettier

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aurèce vettier pfp
aurèce vettier
@aurecevettier
ÉCHOS DU PASSÉ, PROMESSES DU FUTUR ECHOES FROM THE PAST, PROMISES OF THE FUTURE The group exhibition, featuring monumental installations by aurèce vettier, is currently on view at Musée d'art contemporain de Lyon-macLYON until July 13, 2025. On this occasion, @aurecevettier unveils « la traversée de la forêt (crossing the forest), » a large ensemble of monumental works produced specifically for the museum, including three Aubusson tapestries, as well as a collection of bronze sculptures. Additionally, three works from @brightmoments series « le travail des rêves », finalist of @lumenprize in 2024 are presented, along with butterflies generated with GANs and created in collaboration with designer Katarzyna Cichy. With the support of Dimitri De Jonghe Special thanks to Isabelle Bertolotti, Marilou Laneuville, as well as all the teams at macLYON. Exhibition from March 7 to July 13, 2025 Wednesday to Sunday, 11 AM – 6 PM macLYON, 81 Quai Charles de Gaulle, 69006 Lyon Photos by Romain Darnaud.
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aurèce vettier
@aurecevettier
Thank you so much dear @benna
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aurèce vettier
@aurecevettier
GAN-generated butterflies In collaboration with Katarzyna Cichy Currently on view at @maclyon_officiel lunamare caelestis (above the waters of Thirassia) lunamare caelestis (among Vatican roses) philomena seraphina (after the Voltaire metamorphosis) The bodies are scultpures in bronze from AI-generated shapes, gilded with gold, set with sapphires, tourmalines, emeralds, topazes, citrines, amethysts, peridots. The wings boast unique AI-generated patterns, archival pigment print on fibred Korean paper.
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@aurecevettier
In this new framework, how do we form a society and a shared narrative? How do we contribute to change and repair the world, even on a small scale? (6/7)
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aurèce vettier
@aurecevettier
"I am committed to contributing to the real world as an artist, helping to gradually repair it." Thread based on an interview of @aurecevettier by Jérôme Sans, Jan 2025. Read more on : https://artinthecageofdigitalreproduction.org (7/7)
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@aurecevettier
Beyond technology, the artist is becoming a research lab for society. The traditional model of salaried work is declining, replaced by independent clusters working on a project basis. This is already happening in my practice at @aurecevettier. (5/7)
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@aurecevettier
This raises key questions: - How do we retain ownership of our data and creations? - How do we ensure AI tools remain open and accessible? - How do we prevent them from replicating the barriers and biases of society? -- > https://artinthecageofdigitalreproduction.org (4/7)
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@aurecevettier
The #HuggingFace page and open letter quickly went viral. #OpenAI shut down the entire program three hours later—by then, 217 videos had been generated, queues had formed, and the results were widely shared online. The event received international media coverage. (3/7)
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@aurecevettier
At the same time, we released a statement denouncing the exploitation of artists for R&D —as providers of training data and as PR tools for the “overlords of AI.” We called on artists to think beyond proprietary systems and #BigTech constraints. --> https://artinthecageofdigitalreproduction.org (2/7)
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@aurecevettier
On November 26, 2024, a group of artists and hacktivists, including myself, took action to reopen #OpenAI's technology to the public. We provided indirect access to #Sora, OpenAI’s video-generation model, through an open-source front-end on #HuggingFace. 🧵 (1/7)
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@aurecevettier
Absolument. Tous les modèles que j'utilise sont entraînés sur mes photos et données personnelles.
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aurèce vettier
@aurecevettier
Currently on view at macLYON, Museum of Contemporary Art, Lyon, FR aurèce vettier, an unsettling synchronicity appearing in the heart of the forest seen through the eyes of a bearded man as the world enters into resonance Tapestry from an AI-generated image, Cotton, Wool, Viscose, Metallic fiber, Acrylic, Polyester and Sequins
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@aurecevettier
A selection of works by aurèce vettier from 2022 to present will be shown by The Spaceless Gallery at NOMAD St. Moritz. The gallery is pleased to participate for the second time at the fair, which will be held at the former Klinik Gut in the heart of the Swiss Alps. Nomad Art Fair - Booth V5 Former Klinik Gut Via Arona 34 St Moritz Switzerland Thu, 20 Feb, 11AM—8PM Fri, 21 Feb, 11AM—8PM Sat, 22 Feb, 11AM—8PM Sun, 23 Feb, 11AM—7PM
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@aurecevettier
artists are not your unpaid R&D . https://huggingface.co/spaces/PR-Puppets/PR-Puppet-Sora
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@aurecevettier
3 works from @aurecevettier collaboration with Vera Molnár AD.VM.AV.IA (photo, left) are on view at Paris Photo on Nguyen Wahed's booth , as part of the curated group exhibition 'Heterotopia'. The booth also features works by Sarah Meyohas, Nicolas Sassoon, @larswander, @ertdfgcvb Andreas Gysin & Sidi Vanetti, Rik Oostenbroek and @zachlieberman. Paris Photo Grand Palais Booth F03 3 avenue du Général Eisenhower 75008 Paris Special thanks to @miminguyen
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@aurecevettier
"Echoes of the Past, Promises of the Future" : I am so happy to announce my first large museum group show in France in March 2025 at macLYON, the contemporary art museum of Lyon. I'll show a wide body of AI-generated, physical and augmented works in a dedicated room, to be unveiled at this occasion.
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aurèce vettier
@aurecevettier
I've spent the last 6 weeks at Dragon Hill, an artistic residency imagined by Unit London. During this residency, in a sublime house designed by Jacques Couëlle, I was able to further expand my series “le travail des rêves” onto larger formats, while continuing to enrich and reinforce my artificial intelligence tools. I lived a bit like a monk, driving around the Castellane mountains in my old car. Many thanks to the whole residence team for these moments of happiness. I can't wait to show you the results.
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aurèce vettier
@aurecevettier
aurèce vettier x Katarzyna Cichy lunamare caelestis (among Vatican roses) Body in bronze gilded with gold, set with red sapphire, emerald, white topaz, yellow citrine, amethyst, pink tourmaline ; Wings with unique AI-generated patterns, archival pigment print on fibred Korean paper AV-2024-U-581-KC Currently on view at Bergdorf Goodman as part of an exhibition by The Spaceless Gallery.
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aurèce vettier
@aurecevettier
Our solo show "forêt, tentative," with darmo at Bastide du Roy ended a few days ago. Our works for the years 2021 to 2024 have found their way into some magnificent collections, and ties have been established or strengthened with a broad range of institutions. For the first time, we showed huge bronze trees 2.5m high, with shapes designed with AI. To our knowledge, these are the largest AI-generated bronze sculptures to date. A catalog is edited, with a curatorial text by Viola Lukács. The exhibition evoked an attempt to cross an immense forest of almost familiar shapes - an abortive attempt, but one that brought back to the camp many fragments of landscape and impossible nature. The attempt to cross the forest will certainly be repeated. We've partnered with Devialet, using their exceptional speakers to showcase a three-part sound creation produced in collaboration with Studio Ingmar. Thanks also to all the visitors and collectors that graced us with their presence over these two weeks.
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aurèce vettier
@aurecevettier
SIMULACRA on @foundation curated by @foreverprojects https://foundation.app/gallery/thisisforever/exhibition/737 @aurecevettier | @doct | @ganbrood | @ivonatau | @jennipasanen | @katiemorris | @lilyillo | @petravoice | @rainisto | @weirdnikita | Beth Frey | Ira Greenberg | PUBLIKFRUIT | Simon Raion Lavi | Sheldrick
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