Amadon

@amadon.eth

1594 Following

4020 Followers

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Putting together a show around artists as dissidents. Who should be included?

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<artist steps outside to take a break from whatever we're calling "culture" this week>

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Your job as an artist is to figure out what people will buy and then mass produce it.

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haha sadly true

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Your job is to make art, not opinions. The best artists don’t share opinions in their work or on the timeline because that would be presumptuous. Either the art matches the couch or it doesn’t. Be seen, not heard. Thank you.

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Tokenized digital art is far less of a mental leap than we’d like to think it is for more traditional collectors coming off decades of conceptual art.

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All contrarian opinions about art are just cope until you have at least 100k followers and a punk. Until then, don’t @ me.

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tokenized digital art has become a wasteland of escapist and derivative work

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Removal Proceedings

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AI uses 3% of global power by 2030? Good. It’s our only shot at breakthroughs in tech we’ll need to survive like fusion. Every year AI pulls tech closer closer it wipes gigatonnes of CO₂ permanently off our ledger. Opposing AI isn’t activism, it’s environmental suicide.

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Dear speculators, I have no alts.

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For tokenizing art / Ethereum L1 currently the most robust long-term platform due to its established security, decentralization, and broad ecosystem. Solana, built for TPS, is attractive but vulnerable to disruption by newer, faster chains emerging over time. Ordinals has potential, yet the risk remains that inscription functionality could be deprecated to preserve Bitcoin’s primary value as secure digital money. L2s primarily solve near-term scaling and fee issues on Eth, which makes them a bit more challenging to project long-term. All subject to change. Artists would do well to diversify across multiple chains.

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Estates will be managed by AI versions of the decedent.

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Art will be the only tokens that hold any value from this period in a few years.

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Death will mean something different for many artist legacies with how far we’ll advance with AI. Expect meaningful interactions with artists long after they pass.

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Will be interesting to see more data sets used in conceptual ways beyond purely seed randomization.

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“You should’ve gone to college,” we told blue-collar workers replaced by automation. “AI is dangerous,” say white-collar workers as AI comes for their jobs next.

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