phil
@phil
I find the backlash to the new Zora model quite fascinating. When NFT’s first became popular, many people advanced the same criticisms. They weren’t real art, they overly financialized something that shouldn’t have a price on it, etc Now, four years later we have learned a lot. It’s time for new experiments. But it’s weird to see NFTs being held up as some bastion of artistic purity.
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Callum Wanderloots ✨
@wanderloots.eth
I think there's a clear distinction actually! With NFTs, we were introducing scarcity to an otherwise infinite asset (online content). We've now gone full circle to effectively infinite supply again (1 billion coins). The issue is that with NFTs, even if you made one sale every 3 months, it was still vastly more money than creators/artists earned from social media, historically. It maintained the self-considered "value" of art, in part due to this new concept of "online scarcity" What we're seeing now is a platform that historically touted itself as "for artists" abandoning their artistic structure in favour of "content". This switch has caused many artists to lose faith in Zora, regardless of whether the new cointent will be a better system moving forward. Shared more thoughts here: https://warpcast.com/wanderloots.eth/0xead4e233
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Alex Mack 🏔️
@alexmack
amen Callum. Very well said.
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Callum Wanderloots ✨
@wanderloots.eth
thank you! Though to @phil's point, 1 billion is still better than infinite, which is the current social media model. So there is an introduction of scarcity by zora, I just think that the conversations are being had about art, when they should be had about content as artists, we're tired of having this conversation lol. But as a "content creator" (YouTube, newsletters, writing posts, sharing copies of my "Art") I think this model does have the potential to change the concept of the "post", even if it doesn't touch on "Art"
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