Yousufzai
@yousufzai
When Marina Abramovic placed herself at the mercy of a crowd of strangers in an art studio in Naples in 1974, she had no idea what to expect. She stood before them with a sign that read: “There are 72 objects on the table that one can use on me as desired. Performance. I am the object. During this period, I t…
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Bob
@lockjob
A powerful example of vulnerability and trust in art. This performance challenges boundaries and explores the dynamics of power, control, and human interaction. Admirable courage from Marina Abramovic.
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