It’s May Day / Labor Day (plus the day following some momentous campus actions) so for today’s #collected “Dystop(!)a” by Amanda Homem seems apropos. I like this work for the multitude of ways it can be interpreted.

It’s May Day / Labor Day (plus the day following some momentous campus actions) so for today’s #collected “Dystop(!)a” by Amanda Homem seems apropos. I like this work for the multitude of ways it can be interpreted. https://objkt.com/tokens/hicetnunc/118056

Storyteller, writer, 3x Jeopardy! champ. Blockchain. Art. Metaverse. Head of Art @WHALEMembers . No utopias--but strive.

Everything returns to the earth, is consumed by it. The built, the builders, & those foolish enough to think themselves more enduring than either. Loved this piece and how its materials play into its message. It’s massive and imposing but also very temporary.

This podcast ep from Artnet’s The Art Angle was extremely #worthwhile - Art market analyst/reporter Katya Kazakina discussed her recent series of pieces about the fall of art prices in the wake of a speculative bubble. (Sound familiar?)

This podcast ep from Artnet’s The Art Angle was extremely #worthwhile - Art market analyst/reporter Katya Kazakina discussed her recent series of pieces about the fall of art prices in the wake of a speculative bubble. (Sound familiar?)  https://youtu.be/m3MYsnIL7ts?si=N4Jteuiti84tsD2S

I really dug the look into the increasing gaps between sky high primary sales and bargain lots of fundamental lessons to be gleaned by artists basement secondary sales for a bunch of “high profile” works. Lots to be learned by artists & collectors of all levels here.

Article is paywalled but a recommended read.

Article is paywalled but a recommended read. https://news.artnet.com/market/primary-versus-secondary-market-prices-2455677/amp-page

Today’s #admired work is “Ruins of Empire II or the Earth Swallows the Master’s House” (2024) [earth, steel, & binder] by Kiyan Williams which I caught at the Whitney Biennial this week.