rudxane

@rudxane

190 Following

1280 Followers

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You can set restrictions for each token through the 3. assignTokenRestrictions function in your contract (Check it on basescan). You enter tokenId and the restriction, of which you have the following 4 options: 0 - EVERYTHING The token may not be modified in any way. 1 - TOKEN_URI The token URI may not be modified. 2 - MINT_SCHEDULE The token's mint schedule may not be modified. 3 - ROYALTY_PAYMENT_ADDRESS_OVERRIDE The token's royalty payment address override may not be modified. I did 0 for all my previous rodeo posts so they should not be able to ever open for minting, change the tokenUri/metadata or royalties.

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Made my previous rodeo posts immutable, you can check this info in each contract through the isTokenRestricted function

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@rodeodotclub is fun

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You can find the auction for the mint pass on the Verse website; https://verse.works/series/piezo-mint-pass-by-rudxane

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All color palettes are entirely generative, selected as a base of 2-7 colors which are then assigned to individual grid locations. Piezo is a journey to reach out of comfort zones: to use randomness in selecting a base of colors that either contrast or complement each other.

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The structure is built from a simple recursive grid but instead, mirroring each grid block on the x-axis to the left (doubling its width). Through this, grid blocks overlap each other and start to interact together through palette blending of each individual grid block.

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Each output in Piezo is composed of lines that receive a spray-like grain that’s based on the size and density specified in each grid block: motivated by how colors bleed through each other when using a light density layer of paint from a spray-can.

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I've spent countless hours watching the printer draw his work line-by-line, constantly resisting the urge to pull the paper and change the spacing between each line drawn. Piezo is inspired by this urge: what if we draw line-by-line, but change the spacing between each line? 👇

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Thanks for the bookends feature! ❤️

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Bookends: A series looking at the first & last public mints in a generative art collection Today we highlight "unfinished" by @rudxane "unfinished" #1 owned by @rudxane "unfinished" #444 owned by Burrito

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The Weekly Roundup #57 is out. There is a really cool exhibit starting tomorrow on @verse. Some amazing art and cool mechanisms tied to bitcoin. A few amazing ongoing mints to check out as well. Please give it a read! @highlight @pointline @rudxane @emaily thecultureproject.substack.com/p/the-weekly-roundup-57

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👀 @deca gallery favorite from the personal archive: G A R A B A T O S by artist @rudxane, I could actually pick any of the galleries the artist created for his collected works ("Vault" even won MVG – Most Valuable Galleries) or his own brilliant projects. All are exceptionally well-designed and a pleasure to view (the beautiful artworks do help support the overall reception as well 😅). After Deca switched to their ingenious automated system, these artist-made project 'presentations' became less common. Still, it is so interesting to see how an artist showcases their own project, which outputs they pick and how they describe and organise traits and concepts. Much potential here, frens! 👉 https://deca.art/rudxane/garabatos

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Nick 🔮🥱🎩

TFW...You love the backdrop on the laptop every time you open it! @rudxane

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'Tijd' Press 'd' to switch into debug mode and view the assignment of units

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Really excited (and a bit scared 😂) to release ‘Bootleg’ and ‘Tijd’! I’ll share more about the work and tooling this week, but lets start with some of the motivation and ideas in this wonderful article by Verse; https://verse.works/journal/rudxanes-bootleg-exploring-time-and-ownership-in-a-digital-age

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Agapeeudaimonia

@agapeeudaimonia

Tych #114 by @rudxane

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