Hampered by alcoholism, self-doubt and clumsiness as a conventional painter, Pollock transcended his limitations in a brief but incandescent period between 1947 and 1950 when he produced the drip abstractions that cemented his renown. Eschewing the easel to lay his canvases fait on the floor, he used house paint straight from the can, flinging and dribbling thin skeins of pigment that left behind a concrete record of his movements—a technique that would become known as action painting.

Jackson Pollock, Reflection of the Big Dipper, 1947

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