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1568
The Blind Leading the Blind
Artist: Pieter Bruegel the Elder
This painting shows a single procession of six blind men, gripping each other's shoulders or linked by their staffs, as they wander down a narrow path. In the background sits the realistically-depicted church of Sint-Anna and the small village of Sint-Anna-Pede. The color palette, employing grey, black, brown, and green creates a sense of austerity, while the matte and opaque effect, created by the use of distemper, brings the viewer into the same hazy experience as of the sight-challenged men. The group moves in a diagonal that tumbles forward, as the leader, rendered with remarkable foreshortening, has fallen over backwards into a ditch on the lower right, pulling the men off balance. The still upright man in the lower right twists his head toward the viewer with an unseeing gaze, as he lurches forward. The third man, bending forward on his toes, his face pointed up to the sky, tries to maintain his precarious balance. 1 reply
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1556
The Hunters in the Snow
Artist: Pieter Bruegel The Elder
This painting depicts three hunters, followed by a pack of hunting dogs, as they come home from a long day of the kill. Their dark, strongly outlined figures create a diagonal, further emphasized by the black tree trunks that surround them, drawing the viewer's attention to the village below, its roofs covered with snow. On the frozen river and large ponds, the villagers skate. Another diagonal running from middle left to lower right divides the painting between the hill and the broad expanse that fills the right half of the painting with the frozen ponds, a church spire, roads, and farmlands, rising to snow covered mountains, while overhead a black raven soars. A feeling of village life and a strong sense of community are conveyed, the harsh environment, but also its rigorous beauty, and the sense of human life, at work and at play. 0 reply
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1551
A Meat Stall with the Holy Family Giving Alms
Artist: Pieter Aertsen
This monumental canvas is dominated by a still life in the foreground which depicts a variety of food stuffs – from sausage links to herring to dead poultry to a large cow’s head in the lower center. This plethora shows the wealth and plenty available to the thriving Dutch middle class while simultaneously evoking the sensual appetites of material life, contrasted with the moral and religious scenes in the background.
Left of center and glimpsed through the meat stall, the Holy Family is depicted on their flight into Egypt, as Mary, mounted on a donkey and holding the infant Jesus, stops and turns to give alms. At the edge of the road, a line of villagers walks toward the church, depicted on the left, and though some turn to look at the Holy Family, most continue on their way, indifferent to both the presence of Christ and the plight of the poor. 0 reply
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c. 1537
Portrait of Henry VIII of England
Artist: Hans Holbein the Younger
This three-quarters portrait depicts King Henry VIII of England, as he looks toward the viewer without making eye contact. His massive round face, the muscles in his right jaw and cheek somewhat tense, creates a sense of power, while his small tight mouth and his gaze suggest a hint of disdain and a capacity for cruelty. His role is conveyed in the regal symbols embroidered in gold on the brim of his hat, in the beautiful patterned pewter fabric, framed in rich dark fur, and ornamented with large symmetrical patterns of jewels, and the seal hung around his neck. In the foreground, his hands, wearing a large ring on each index finger, convey a sense of kinetic energy at rest. His royal bearing is distinctly evident. 2 replies
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1512-15
The Isenheim Altarpiece
Artist: Matthias Grünewald
This iconic cross-shaped altarpiece depicts a very common narrative portrayed in paintings of the time. The focus is on Christ in the central panel, as the cross vertically divides the frame, and as his agonized body with flesh turning green dominates the scene. Many of the figures are created with the realistic observation and proportion of Renaissance art, and even the cross, crudely made as if hammered together out of scrap wood, has a three-dimensional effect. On the right John the Baptist is seen holding an open Bible and pointing toward Christ, while a lamb bearing a wooden cross stands beside him. On the left the Virgin Mary in white is leaning back as if to fall, her hands clasped toward her son, while John, the beloved disciple, catches her in his arms. Mary Magdalene kneels at the base of the cross, her clasped hands outstretched toward Jesus, while a pot carrying spikenard for anointing him rests beside her. In the left wing St. 0 reply
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1503
The Large Piece of Turf
Artist: Albrecht Dürer
This painting depicts a piece of turf containing smooth meadow-grass, dandelion, greater plantain, hound's-tongue, yarrow, germander speedwell, creeping bent, and cock's foot. The various plants, differing in shapes of leaves, flowers, and stems, and painted in varying tones of green, create a sense of the chaotic growth of nature, and contribute to the work's realistic effect. The broken ground, showing darker fissures, and the exposed roots of some of the plants, creates a sense of the earth's solidity as well as emphasizing the diagonal flow of the plants from the right where a bit of bare earth shows between the plants and the edge of the frame and extending to the left as the plants seemed to continue indefinitely. The empty background creates a kind of singular focus on the plants themselves, as if they were clearly seen outside of any particular setting or time. 0 reply
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The live Degen price today is $0.005906 USD with a 24-hour trading volume of $24,893,611 USD. We update our DEGEN to USD price in real-time. Degen is down 13.55% in the last 24 hours. The current CoinMarketCap ranking is #469, with a live market cap of $83,744,691 USD. It has a circulating supply of 14,179,608,879 DEGEN coins and a max. supply of 36,965,935,954 DEGEN coins. 0 reply
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1490-1500
The Garden of Earthly Delights
Artist: Hieronymus Bosch
Bosch's most famous triptych is The Garden of Earthly Delights, noted for its complex imaginative and startling imagery. The outer panels are intended to bracket the main central panel - between the Garden of Eden depicted on the left, and the Last Judgment depicted on the right. On the left, an unusually youthful God presents Eve to Adam. The central plane is a vast panorama, containing nude figures, exotic animals, and fantastic architectural structures, to portray Eden. The right panel depicts Hell, a world of humans who have succumbed to evil temptations and are now reaping eternal damnation. The outer face of the panel also contains images, done in grisaille, depicting God creating the world on the third day, its image echoing a 1493 print by Michael Wolgemut, and, perhaps, used to posit the entire work within its religious context. 2 replies
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before 1443
The Descent from the Cross
Artist: Rogier van der Weyden
This dramatic religious painting depicts Jesus being taken down from the cross by three men. Anguish is visible in the scene as all the figures bow inward toward the central figure of Christ. On his left, his mother, the Virgin Mary, faints as St. John the Evangelist and Mary Salome strive to help her up. A young man in blue damask stands on a ladder behind the cross in the upper panel, his right hand gripping two extracted bloodied nails. Nicodemus, a Pharisee, his brow lined with introverted sorrow, stands behind Jesus, holding his torso in his arms. Joseph of Arimathea, dressed in a robe patterned with gold, cradles Christ's legs. On the far right, Mary Magdalene contorts her entire body as she wrings her hands, while Mary Cleophas at the upper left buries her face in her hands.
The remarkably condensed and compressed scene is full of movement, driven by the figures animated with emotion. Sorrow and grief mark every face. 1 reply
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