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Sharingan
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https://warpcast.com/jacek/0xce4dc308
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Yinka Shonibare Yinka Shonibare, MBE, was born in London, England, and raised in Lagos, Nigeria. Today, he is one of the best-known artists dealing directly with themes of postcolonialism in his work. His sculpture Nelson's Ship in a Bottle, which was originally installed in London's Trafalgar Square in 2010, and now resides in the city's National Maritime Museum, is one of the most photographed artworks to have appeared in London's public spaces. It is composed of a fifteen-foot-long bottle inside of which sits a model of Admiral Horatio Nelson's ship HMS Victory. Nelson was an officer in the British Royal Navy from 1771-1805, during which time he was instrumental in securing a number of victories, such as at the Battle of Trafalgar, and established his place as one of the nation's greatest military heroes, before being fatally wounded while aboard the Victory. Shonibare's model of the ship is detailed and precise, except that his thirty-seven sails are made of richly patterned batik textiles.
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Trade Italy
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Why this cute cat hidden ? I love it
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The warm golden hues blending with the sky and the rays peeking through the clouds create a peaceful and serene atmosphere.
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1200-400 BCE San Lorenzo Colossal Head 4 This massive stone sculpture is one of 17 known works of Olmec origin depicting stylized male heads. It is also one of ten found in the ruins of the former Olmec city of San Lorenzo, in present-day Mexico. These pieces all bear marked similarities but each is also unique, as Ayodale Braimah explains: "all of the sculptures depict a helmeted man but each individual sculpture has its own set of unique facial characteristics." Each helmet is also unique in appearance. Braimah adds that the heads, which are estimated to weigh about 40 tons and stand between 10-15 feet tall, bear traces of pigments and plaster, "suggesting that the heads may have been painted at one point."
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Mint Real Madrid
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1568 The Blind Leading the Blind Artist: Pieter Bruegel the Elder This painting shows a single procession of six blind men, gripping each other's shoulders or linked by their staffs, as they wander down a narrow path. In the background sits the realistically-depicted church of Sint-Anna and the small village of Sint-Anna-Pede. The color palette, employing grey, black, brown, and green creates a sense of austerity, while the matte and opaque effect, created by the use of distemper, brings the viewer into the same hazy experience as of the sight-challenged men. The group moves in a diagonal that tumbles forward, as the leader, rendered with remarkable foreshortening, has fallen over backwards into a ditch on the lower right, pulling the men off balance. The still upright man in the lower right twists his head toward the viewer with an unseeing gaze, as he lurches forward. The third man, bending forward on his toes, his face pointed up to the sky, tries to maintain his precarious balance.
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1556 The Hunters in the Snow Artist: Pieter Bruegel The Elder This painting depicts three hunters, followed by a pack of hunting dogs, as they come home from a long day of the kill. Their dark, strongly outlined figures create a diagonal, further emphasized by the black tree trunks that surround them, drawing the viewer's attention to the village below, its roofs covered with snow. On the frozen river and large ponds, the villagers skate. Another diagonal running from middle left to lower right divides the painting between the hill and the broad expanse that fills the right half of the painting with the frozen ponds, a church spire, roads, and farmlands, rising to snow covered mountains, while overhead a black raven soars. A feeling of village life and a strong sense of community are conveyed, the harsh environment, but also its rigorous beauty, and the sense of human life, at work and at play.
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1551 A Meat Stall with the Holy Family Giving Alms Artist: Pieter Aertsen This monumental canvas is dominated by a still life in the foreground which depicts a variety of food stuffs – from sausage links to herring to dead poultry to a large cow’s head in the lower center. This plethora shows the wealth and plenty available to the thriving Dutch middle class while simultaneously evoking the sensual appetites of material life, contrasted with the moral and religious scenes in the background. Left of center and glimpsed through the meat stall, the Holy Family is depicted on their flight into Egypt, as Mary, mounted on a donkey and holding the infant Jesus, stops and turns to give alms. At the edge of the road, a line of villagers walks toward the church, depicted on the left, and though some turn to look at the Holy Family, most continue on their way, indifferent to both the presence of Christ and the plight of the poor.
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Mint Liverpool
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c. 1537 Portrait of Henry VIII of England Artist: Hans Holbein the Younger This three-quarters portrait depicts King Henry VIII of England, as he looks toward the viewer without making eye contact. His massive round face, the muscles in his right jaw and cheek somewhat tense, creates a sense of power, while his small tight mouth and his gaze suggest a hint of disdain and a capacity for cruelty. His role is conveyed in the regal symbols embroidered in gold on the brim of his hat, in the beautiful patterned pewter fabric, framed in rich dark fur, and ornamented with large symmetrical patterns of jewels, and the seal hung around his neck. In the foreground, his hands, wearing a large ring on each index finger, convey a sense of kinetic energy at rest. His royal bearing is distinctly evident.
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c. 1528-1533 September – Scene from a deer hunt (From The Hunts of Maximilian) Artist: Bernard van Orley This tapestry depicts an aristocratic party deer hunting. On the left a powerful man leans forward as he restrains a large hound on a leash, his dynamic figure drawing the viewer’s eye toward the center of the lake where a number of deer have been driven, as they are surrounded by a few hunters in the water. Additional leashed dogs and their handlers stand at the edge of the bank, while, to the right, a group of noblemen and ladies on horseback watch the scene. The upper half of the tapestry is given over to landscape, as the lake in the center, bordered by forest on either side, tapers upward to the Groenendael Priory. A medallion in the center of the upper border depicts the astrological sign for September, as this work is one of twelve tapestries.
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c. 1515 The Penitence of Saint Jerome Artist: Joachim Patinir This triptych depicts three different religious narratives, united by a rich and varied landscape that extends in an atmospheric panorama. In the central panel, Saint Jerome is depicted kneeling before a crucifix as he flagellates his bared chest with a sharp rock in his right hand. In the left wing, John the Baptist kneels as he baptizes Christ, who wears a loincloth and stands in the Jordan River, while on the right wing the anchorite Saint Anthony reads Holy Scripture while being tormented by demons. The arm gestures of the three figures – pouring water, holding the rock of penance, lifting a hand in prayer – all point toward Christ, uniting the disparate scenes in Christian devotion. What’s emphasized as art historian Lynn Jacobs noted is “the connected nature of their anchorite experiences and unites them as exemplars of virtue and models of the monastic ideal who retreated to the wilderness to escape the sins of the city.”
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1512-15 The Isenheim Altarpiece Artist: Matthias Grünewald This iconic cross-shaped altarpiece depicts a very common narrative portrayed in paintings of the time. The focus is on Christ in the central panel, as the cross vertically divides the frame, and as his agonized body with flesh turning green dominates the scene. Many of the figures are created with the realistic observation and proportion of Renaissance art, and even the cross, crudely made as if hammered together out of scrap wood, has a three-dimensional effect. On the right John the Baptist is seen holding an open Bible and pointing toward Christ, while a lamb bearing a wooden cross stands beside him. On the left the Virgin Mary in white is leaning back as if to fall, her hands clasped toward her son, while John, the beloved disciple, catches her in his arms. Mary Magdalene kneels at the base of the cross, her clasped hands outstretched toward Jesus, while a pot carrying spikenard for anointing him rests beside her. In the left wing St.
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1503 The Large Piece of Turf Artist: Albrecht Dürer This painting depicts a piece of turf containing smooth meadow-grass, dandelion, greater plantain, hound's-tongue, yarrow, germander speedwell, creeping bent, and cock's foot. The various plants, differing in shapes of leaves, flowers, and stems, and painted in varying tones of green, create a sense of the chaotic growth of nature, and contribute to the work's realistic effect. The broken ground, showing darker fissures, and the exposed roots of some of the plants, creates a sense of the earth's solidity as well as emphasizing the diagonal flow of the plants from the right where a bit of bare earth shows between the plants and the edge of the frame and extending to the left as the plants seemed to continue indefinitely. The empty background creates a kind of singular focus on the plants themselves, as if they were clearly seen outside of any particular setting or time.
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The live Degen price today is $0.005906 USD with a 24-hour trading volume of $24,893,611 USD. We update our DEGEN to USD price in real-time. Degen is down 13.55% in the last 24 hours. The current CoinMarketCap ranking is #469, with a live market cap of $83,744,691 USD. It has a circulating supply of 14,179,608,879 DEGEN coins and a max. supply of 36,965,935,954 DEGEN coins.
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Mint FC Barcelona
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$DEGEN Football team
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