kayleenbr

@kayleenbr

81 Following

5 Followers

kayleenbr pfp

“I’m not afraid of death; I just don’t want to be there when it happens.” — Dance Dance Dance

0 reply

0 recast

0 reaction

kayleenbr pfp

But aww, she’s still so cute tho. 🥺

0 reply

0 recast

0 reaction

Kyle Tut pfp

0 reply

0 recast

4 reactions

kayleenbr pfp

I've rarely picked up a book since graduating from university. It's time to awaken my reading genes again!

0 reply

0 recast

0 reaction

kayleenbr pfp

https://warpcast.com/~/channel/books

0 reply

0 recast

0 reaction

kayleenbr pfp

0 reply

0 recast

0 reaction

tum4y.eth pfp

Portofino, Italy 🇮🇹

0 reply

0 recast

1 reaction

pugson pfp

if you’re not following @cxs yet, you should. the greatest adversary to ever exist. we started as enemies but became friends along the way. screenshotting to remember this moment.

15 replies

0 recast

38 reactions

kayleenbr pfp

0 reply

0 recast

0 reaction

jihad ↑ pfp

Why does creator monetization matter at a societal level? Is it really that important?

7 replies

2 recasts

19 reactions

Jacob pfp

my daughter started playing a cool line on the piano tonight and i played bass to accompany her for like ~30 minutes doesn't happen often so i know to appreciate it when it does

7 replies

0 recast

32 reactions

six pfp

4 replies

5 recasts

27 reactions

Varun Srinivasan pfp

Varun Srinivasan

the secret to farcaster engagement is erewhon content

8 replies

2 recasts

48 reactions

Deployer pfp

I've seen mixed reactions to Zora combining pictures and tokens. I could be wrong but this feels ... right. It's fascinating. Its like fractionalizing NFTs without having to fractionalize a thing. You can own a lot or you can own a little. You can flex being the biggest holder, or you can just support your favorite artist with $5. The only thing that separates this from existing 1/1s or open editions is how platforms display them. By owning any amount of these tokens you own "the picture". The amount you put in is up to you. I get the sense artists hate this because it further pushes art into some kind of financial asset, but this is fascinating and I hope more artists use it and it catches on. NFTs were always financial. Artists wanted a new way to monetize their work. They required a mental leap to embrace a new concept of ownership. Seems like that is also the case here. This solves the royalty debate. I assume the artist earns fees on every swap.

24 replies

23 recasts

139 reactions

kayleenbr pfp

0 reply

0 recast

0 reaction

kayleenbr pfp

0 reply

0 recast

0 reaction

kayleenbr pfp

0 reply

0 recast

0 reaction

Ashish pfp

1 reply

1 recast

3 reactions

Thumbs Up pfp

I've been hearing some progressive liberals calling ESOPs "socialism" and not being super familiar with these vehicles I decided to a bit of reading. This led me to believe that this is a mischaracterization, especially with respect to one of the core tenets of socialism: workplace democracy. So I decided to ask AI to compare them. Here are some screenshots. The question was the same every time: "Can you explain the differences between ESOPs and worker's cooperatives? Please provide a lot of detail, list sources (with links), and conclude by arguing which is a better fit for workplace democracy" Deepseek R1 70B, via Venice

3 replies

2 recasts

6 reactions

akiva pfp

are butts gonna be renamed fartcasters

8 replies

4 recasts

31 reactions