Starting with nondescript images, Ezra Miller implements a process of deformation, creasing the code that makes up the surface of his images, fanning out near-infinite prospects from the source image to reach a delicate balance between photography and its altered material

Starting with nondescript images, Ezra Miller implements a process of deformation, creasing the code that makes up the surface of his images, fanning out near-infinite prospects from the source image to reach a delicate balance between photography and its altered material

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