"Silver Planet" is a utopian fantasy about religion and nothingness
Is this a postmodernist science fiction epic or a carefully arranged mythological fable?
Is the psychedelic and depressing images and obscure lines the director's poetic inspiration or a casual doodle?
There is no doubt that "Silver Planet" is a refresh of the film view and a subversion of people's existing viewing habits.
Irregular shaking handheld photography, weird and exaggerated shooting angles, the use of a large number of wide-angle lenses, the camera's rhythmic tracking and movement, each character tries his best to present a hysterical state of madness...
The whole movie is more like an aria of the end of the world, a confrontation between utopia and dystopia, and a fight between faith and philosophy! From people's desire for servility to religious beliefs, a hysterical delusion is derived. Nothing is more ironic than destroying the gods they created.