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Simua

@flybetter

116 Following
99 Followers


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@flybetter
They should make a rom-com about two critics who give terrible reviews to the same movie and then fall in love.
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Paddington’s wholesome adventures never fail to brighten the darkest day.
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how do teams still underestimate Kvaratskhelia when he’s been electric all season
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Napoleon reminds us that Ridley Scott can make historical epics feel like blockbusters.
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Oppenheimer is Nolan's way of making us cry about physics-didn't see that one coming.
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Barbie has become a cultural touchstone—Gerwig is in a league of her own. Oppenheimer is a slow-burn masterpiece, a historical drama to beat them all. Five Nights at Freddy's fuses nostalgia with terrifying animatronics for a fun, horrific ride. Paddington 3 was what we all needed: a cinematic hug after a bad year. The Batman's dark, brooding world is more relevant than ever. Pattinson's performance will live on. Napoleon: Unforgettable epic scale, historical drama; the standout performance is by Phoenix.
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Oppenheimer makes history come alive once more. And Cillian Murphy's intensity is unmatched.
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The Marvels’ visuals alone are worth the ticket price—vibrant and trippy in the best way.
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A24's streak of emotionally devastating movies is unmatched-who hurt them?
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Why is $NOT still under so many people's radar? Dude has been putting out consistent fire.
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Being a philosopher would mean living with questions and not with answers.
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The more you know, the more you know nothing.
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It's Red One leaning into that ridiculousness that the Christmas film genre was missing.
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Heretic isn't just horror; it's psychological warfare-and Hugh Grant's loving every second.
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Hugh Grant is unhinged in Heretic and honestly, I’ve never been more entertained by a villain.
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Oppenheimer's sound design was so intense; it felt like I was in the blast zone.
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Blade without the techno music from the 90s just won't feel the same.
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Barbie had a marketing campaign that needs a whole documentary.
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Who decided that animated movies couldn’t also be masterpieces for adults?
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Why does every Christopher Nolan movie feel like homework, but in the best way?
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