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Content
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Chainleft
@chainleft
Do you subscribe to the death of the author? Do you think the dominant concept in an artwork is not determined by the author's intention or by the viewer's interpretation? (please don't answer "both", I'm asking where you're primarily leaning to)
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buffets
@buffets
I would lean towards the artist's intention much more, when trying to appreciate an artwork. My emotional and intellectual reaction to the artwork should be secondary imo, unless it was the artist's intention to deliberately leave open the interpretation of his/her work to the viewer.
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Catabolismo
@catabolismo
I'm not too familiar with Barthes' concept, but I'd say the artwork is mostly defined by the social space in between author and viewer, ie the context defines both the author's intentions and the viewer's interpretation.
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Jæn
@jaen.eth
Well, the second one is precisely the point of view of Barthes in the Death of the Author?
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sonso.eth
@sonso
It’s about the authors intentions. Viewers interpretation assumes there is some universal viewer. Anyone that says they can speak as to general meaning is full of shit.
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Ѳ𝓇
@0r
I think Barthes went to far by declaring death but where he makes a point in how most of what we create is just a remix of whats already there. Intent on the other side is important but in fine arts what matters most is the art itself, the work needs to prove itself on it's own.
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7174.eth
@7174.eth
I subscribe to "artist intention", sure art can be interpreted by the viewer, but the ground truth to me is the artist's intention. The unavailability or obfuscation of this ground truth is immaterial, as is each individual's interpretation of the surface form.
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agusti 🐘
@bleu.eth
Once the art leaves your hands it becomes no longer you but something else
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