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Arun Philips

@arunphilips

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I’m taking the Musician Journey on blockvocates.org and Mission 3 was about understanding the world of #Web3Music 🎶 Key concepts in this industry: #1 Music NFTs 🎨 @soundxyz_ #2 Tokenization of Rights and Royalties 📑 @producersnft @MusicProtocolX @opulousapp #3 Decentralized Streaming 🎤 @audius @GoGalaMusic #4 Artist-Fan Engagement 📞 @medallionfm #5 Music DAOs 👩‍🌾 @ZAOMUSIC @cmdkone I’m most excited by #4 the Artist-Fan engagement space and it was thrilling to see one of my fav bands Jungle create a fan club using Medallion. I also setup an artist profile on @soundxyz_ for future originals but also came across their TnC which mentioned artists grant some royalty free rights when publishing there - so it’s a cautionary lesson for musicians to read all the terms carefully. I also looked at options to join the @medallionfm community but looks like they don’t have a public community yet 😅 Full mission tutorial: www.youtube.com/watch?v=-goyIZng1Cs
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📚 Mission 2 of my Blockvocates.org journey was to read the book Read, Write, Own by @cdixon.eth and report on how it applies to my Blockchain Journey, 🧵 below: I picked the Musician Journey on Blockvocates so my objective was to understand the connections and implications of Blockchain w.r.t. Music. #1 Most new tech follows an S-curve, creators are valued initially but are extracted from later in the cycle. Musicians and creators on Instagram clearly experience this today, making no revenue for their work while Meta benefits from ad revenue on their creations. Benefits of interoperability go down as the network grows (eg. Zynga de-platformed from Facebook). #2 Unlike AI, Blockchains are a non-consensus/outside-in technology, dismissed by many but progress will happen outside-in and grassroots by hackers and outsiders, not inside-in led by tech incumbents. Parallels can be drawn to the music, which has traditionally been dominated by incumbents, but musicians should look at outside-in solutions.
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