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Most manosphere comedians won’t survive South Park season 27–28. It’s a pattern of cultural immune responses kicking in. The manosphere’s been operating in a window where their shtick felt transgressive enough to seem edgy, but not yet understood enough to be ridiculed. The joke was always “haha, we’re saying the quiet part loud” — but once the meta-joke appears (that the pose is transparent cope dressed as sigma wisdom), the frame collapses. South Park’s kill shot is making a pose look ridiculous, not dangerous. Condemnation gives martyr fuel; mockery deflates. Showing the try-hard desperation under the alpha veneer makes the aesthetic cringe in a way it can’t recover from. Timing matters: they strike when something’s nearly mainstream but not self-aware enough to defend itself. The manosphere guys are at that inflection point — big enough to be a cultural phenomenon, not savvy enough to resist mockery. Still playing it straight. Fatal.
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