Yatima

@yatima

389 Following

536 Followers

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LOVE, DEATH & ROBOTS. The first three seasons are a true technical marvel, with plenty of highly inspired moments on the narrative side. What the hell happened with this newly released fourth season? The stories, when there are any, to put it mildly, are just pathetic. Not a single script should have made it to production. Technically, we've completely lost that "how the hell did they do that?" feeling. A handful of shorts still hold up in that regard, but even then, they don't stand out. Certainly not compared to the level of previous seasons. Surprisingly disappointing.

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I’m just some guy who tells stories through 3D animation using only 100% recycled electrons, 90% AI Free and 0% sugar. I do the sims, the animation, the music, and all the chaotic stuff myself. Trends? Couldn’t care less. Too dark? Good.

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Writing 'follow to follow' in your bio is probably the worst way to get someone to follow you. And if it’s paired with generic content, lifeless AI-generated images made in two seconds, stock food photos, and similar nonsense then you’ve really outdone yourself. Put in a bit of effort, it won’t kill you.

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The 'Turing Police' 🔊 exist to ensure AI doesn’t get too smart. If your coffee machine begins questioning the nature of consciousness, don’t worry. They’ll be there, 24/7 always ready to pull the plug. 🔌

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What makes art good are the problems, facing them and finding solutions. Exhausted, sleep-deprived, with a bad back and a half broken piano to top it off, that’s how Keith Jarrett IMPROVISED the magnificent Köln Concert. https://tidal.com/browse/album/10843697?u

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We need your vote, veggies! Your help is crucial for our tribe to survive the night in /castout .We asked Obi-Wan Kenobi for help, but he was on vacation, so now you’re our only hope. 🙏 🖤

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Go Mayaa tribe! What a badass bunch of survivors you are, @asha, @milibooo, @alleytac & @anemale.eth. 🖤 It makes me proud to know that if it ever comes down to eating each other… we won’t even blink! 😂 😂 :: RELENTLESS ::

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I have just collected "Keep Spiraling" by @mortespiral.eth on @objktcom

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Hey @bracky , I want to buy some MAYAA shares for castout. What's my max balance rn?

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Behold a massive tribal DONER! (gracefully sponsored by /castout ) 😂

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Thinking about the word "visionary," especially as a self-imposed title, I can't help but think about the paradox it represents. I mean, you have to be a true visionary to call yourself a visionary, that's the very definition of the term, right? 'Visionary' 🔊

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This is my piece for objkt4objkt this year, and it's already been four years (time really flies, huh?) there's still 27/42 left at just 1$xtz. Link in the 1st comm. ⏬ 'BRING THE LIGHT' (or let me go) 🔊

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I have just collected "Gasp" by @chronist on @objktcom

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🕹️ I scored 181 points in Flappy Nouns on Farcade!

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A PROMPT :> For your mind, do not feed it into an AI. Trust me on that. Easily one of the most beautiful things I read lately. "I saw a queen, wearing a golden dress, and her dress was covered in eyes, and all the eyes were transparent, as if they were burning flames, and yet they looked like crystals. The crown on her head had so many crowns stacked upon it, one over another, as many as there were eyes on her dress. She came toward me with terrifying speed and placed her foot upon my neck, and cried out in a terrible voice, 'DO YOU KNOW WHO I AM?' And I said to her: 'Yes! For a long time, you have caused me much pain and misery. You are the part of my soul capable of reason." Hadewijch of Brabant, Belgian poetess, 13th century.

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'Les couleurs de ma mélancolie' 🔊 [WIP, sort of. Still not sure about the music, let’s call it a creative crisis. Having a lot lately. 😂]

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Here’s a sci-fi miniseries based on the legendary Argentine comic El Eternauta, and from what I’ve seen so far, it’s a more than worthy adaptation. The oppressive apocalyptic setting is there, along with the powerful political metaphor that defined the original. It’s the group against oppression. Visually, it’s stunning, and the performances are truly outstanding, especially, of course, that of the great Ricardo Darín, who never disappoints. Don't miss it. [On Netflix]

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Last summer I trained several AIs using frames from my 3D animations, and from that I was able to generate some interesting images. That led me to think that maybe I could use them back as references to create new 3D animations and that’s what I’ve been doing lately. ⚒️ This is the first of them, "Staring at the Sun". 🔊 It’s also the first one I’ve made with music created entirely by me from scratch, something I’ve been wanting to learn for a long time and that has had me quite obsessed lately. Baby steps, still pretty basic, but I’m happy with it.

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Hard at work in the backstage. 🛠️ For the past two years, I’ve been creating and refining a style where I use particles to mimic moving textures. In this video, there are over 10 million particles that, when connected through curves, flow across 3D surfaces. It's all moving geometry, zero textures. 😁 Until now, I had to rely on rather tedious (and slow) hacks to transfer these simulations from Houdini to Blender. Just the geometry of an animation like this could result in files ranging from 20 to 50GB. A single project eats between 100 and 200Gb of storage. 😅 After a lot of work and time invested, I’ve finally managed to build a more stable, functional, and, most importantly, fast bridge between the two applications, significantly reducing the time I need to go from 0 to 100. At least a 50% in almost every front. That's huge! Sometimes, the effort is truly worth it. 🖤

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WE CRAVE SUSTENANCE PlayPsyCo :: 2011 🔊 🎵

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