vovo

@vovo

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Electronic Abstractions: A New Approach to Design // Ben. F. Laposky, 1953 https://www.are.na/block/27939478

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The Cottingley fairies photographic hoax that lasted 66 years, perpetrated by cousins 16 year old Elsie Wright and 9 year old Frances Griffiths.

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Clairvoyant Journal (1978) is a seminal work by American poet Hannah Weiner, renowned for her innovative contributions to experimental and Language poetry. This book chronicles Weiner’s unique experiences of “seeing” words—manifesting visually on her forehead, in the air, on objects, and on people—which she interpreted as a form of clairvoyance. The Book : https://www.are.na/block/36799030 In this journal, Weiner employs a distinctive typographic style to represent three distinct voices: capital letters convey commanding or external voices, italics express internal commentary, and standard typeface reflects her own narrative. This triadic structure offers readers a layered insight into her daily life, thoughts, and the intrusive nature of these perceived messages.

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Ashleigh Brilliant, 1981

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“Model of an Existing Artist-Audience Relationship” by Stephen Willats, 1973 :: A cybernetic framework of how art mediates between the intentionality of the artist and the interpretation by the audience. Willats’ diagram dissects the quiet circuitry between artist, artwork, and audience—exposing creation and reception as mirrored feedback loops, not acts of transmission. Here, meaning isn’t delivered; it’s assembled, filtered through prior beliefs and reloaded into future perception. Art becomes a shared algorithm—shaped in the making, rewritten in the viewing. << Stephen Willats uses cybernetics as a mode of questioning how art functions in society. // https://walkerart.org/magazine/stephen-willats-interview-control-contextual-language >>

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Diego Armando Maradona His tattoos say it all: Che Guevara on his arm, Fidel Castro on his leg. He once said, “I carry Che on my skin, and Fidel in my heart.” He openly criticized the U.S., George W. Bush (“human garbage”), and supported Latin American leftist leaders like Fidel Castro, Hugo Chávez, and Evo Morales.

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Gaza, Palestine (1993) ©️ Santiago Lyon

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The Moral Character of Cryptographic Work

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Max Ernst. "Forest and Sun," 1927. #art

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The Revolution Will Not Be Tokenised The Landlord’s Prayer Our Merkle Root Who art only accessible via archive node or enterprise service provider Thine fandom come Thine commodification will be done On your interface, and in digits-at-large. No tokenisation without representation The revolution will not be fractalised The revolution will not be securitised The revolution will not be tokenised The revolution will not be commodified The revolution will not be marketised The revolution will be offline. https://wassim.xyz/notes/the-revolution-will-not-be-tokenised-poem

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We await the return of the wild gods: Dionysos unchained, Kali unmasked, the Green Man rising from the dirt. Children of Chaos: Live ----- as if the world were a poem you could still rewrite.

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We will make art that disappears the moment it is completed, like breath on glass.

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𝑾𝒉𝒂𝒕 𝒊𝒔 𝑬𝒕𝒉𝒆𝒓𝒆𝒖𝒎 𝑳𝒐𝒄𝒂𝒍𝒊𝒔𝒎? by Ethereal Forest, 2024 https://etherealforest.org/blog/2024-07-29-what-is-ethereum-localism/ Ethereum localism, in summary - (in this account which is necessarily only one) - is a strategy of reciprocal mimesis between open, protocol-based cultures of the internet and the open pragmatist cultures of cities and bioregions. They are entangled by shared attitudes of immediacy; a pirate empiricism, a dread of coercive authority and a cutting sense of adequate technology. They self-identify not around what they are but what they can do, and they judge structures against the mysterious pragmatism of the terrain, whether virtual or material. Mysterious because there is no prescribing what you are - individual, alter, people, swarm - and there is no prescribing what you can or should do. It has to be built. That possibility space is our Ether.

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The Birth of Venus, by Adolph Hirémy-Hirschl, 1888

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Ontological Anarchy insists on the possibility of communion, not only with others but with the living world, with the spirits, with the sacred that the State and Religion buried under concrete. * We are chaos magicians without portfolio, casting spells against boredom, against the police of the soul. * * We’re not interested in revolution. We want insurrection. We want wildness. We want the impossible—now. * * The only war worth fighting is the war against separation. *

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Dress up. Leave a false name. Be legendary. The best act is against the law, but don’t get caught. Art as crime; crime as art.

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Diome / A biome is an area that hosts biological communities that depend on each other for survival, and the forces that act on them. The diome is an expanded ecosystem of both physical and digital spaces, and the interconnected biological, mechanical and digital beings that inhabit it. https://diome.xyz/0+%F0%9F%8C%9E+About/0.0+Technology+for+a+Regenerative+Society

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Head fuck, mess me up, Put me in the ground. You're a hardcore criminal, Turn it all around. Won't you, ah-ah-ah-ah! Let me breathe? --- Tommy by Fckers 2024 https://www.youtube.com/watch?v=EZw0-BBKZ1A&list=LL&index=2

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Lizzie Magie, The Landlord’s Game, 1904 https://publicdomainreview.org/collection/the-landlords-game/ Lizzie Magie created The Landlord’s Game to expose how land monopolies fuel inequality. Inspired by Henry George’s ideas, she designed two rule sets: one rewarding cooperation, the other encouraging monopolies. The latter evolved into Monopoly. Magie was a game designer— + she was a feminist, inventor, and anti-monopolist using play as protest.

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