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@tcw

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The Internet is upstream of Streamers --------------------------------------- Attention on the Internet is really hard. Streamers don’t make it easier on themselves: a new tv show / film / anime is posted on their platform and the interactions (views, starts, stopping points, rewatches) are all cataloged to decide if it is a hit or not. But getting people to their platform comes from somewhere else _ Timelines. Streamers compete with a laundry list of other things on any given day, not like the gated attention world of print and tv advertising. Timeline interactions + streaming platform conversion rates are also used to decide whether to continue a show or even explore proximity for related stories. Thus timelines influence the very start of filmmaking, also known as Development, all the way through to the end, known as Distribution. Click, click, decide. Filmmakers, by the way, don’t get access to this data map, so there is no way to test or even guide creation. So why don’t creatives and artists create through the Internet? https://farcaster.xyz/tcw/0xf90d8cde
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Filmmaking Is Everything Second or third video I've seen where gen-z founders show that they understand narrative + production value gets you attention in the timeline. They understand there is nothing higher than Internet attention. What if the narrative served new story creation and the production quality always got better. Well then you'd be describing the same work that a film studio does in the analog world. Farcaster already has filmmaking talent | writing talent | visual art talent | acting talent | marketing talent | finance talent | design talent | engineering talent | crypto talent | ai talent ~ all together it looks like the elements that would make up filmmaking of tomorrow. All that is left is to bring this talent together with directional rhythm to get started (harder than I thought, especially with the tools available now, but still too necessary to ignore)
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