Sine

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634 Following

3673 Followers

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I’m relieved to be done with Moxie. It’s liberating to interact with people again, without the looming presence of financial incentives. Also, receiving money from people is emotionally difficult for me. If you’re from a similar socioeconomic background, you probably understand what I mean. Although I truly appreciate the money that was gifted to me, it’s not what I initially came here for. I’m really happy to be back having genuine interactions with people, no strings attached.

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If I could have known the output, would I still have used the same input?

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Does anyone happen to know if Carl Stone’s “Flint’s” is made exclusively with Barbie Girl samples? I can’t find a single sound that does NOT sound like it’s from Barbie Girl. But I am dying to know if it is indeed 100% pure unadulterated Barbie. https://carlstone.bandcamp.com/track/flints-1999

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Umm dear Farcaster, I really do love you. But can we please stop debating whether or not this guy is an asset to a community? I mean come onnnn now 😫

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National RQ-8030 cassette deck (1984)

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Death drips from cold limbs. Red fades and dries. A blanket of rot on the grass.

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🖤 🪨 🖤 🪨 🖤 🪨 🖤 🪨

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Therme Vals spa in Switzerland (Peter Zumthor, 1996)

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Wick too charred to light. Bic shakes while wax turns liquid. Heat's too much. Give up.

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Sorry for your loss. I'm sending you flowers, so you can watch them die.

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Tysso II Hydropower Plant (Norway) Geir Grung, 1967

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Carl Stone is hands down the king of sampling 🥵 🥵 🥵 🥵 https://carlstone.bandcamp.com/track/au-jus?from=search&search_item_id=905637323&search_item_type=t&search_match_part=%3F&search_page_id=3781072776&search_page_no=1&search_rank=1&search_sig=270a251c8e901a2dc794d4c2bd848597

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Hudson Prima model 351-2 filmstrip projector (1970s)

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🖤🤍🖤🤍🖤🤍🖤🤍

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For /follow-friday : @davidvnun ‘s art is so enthusiastic and imaginative, and I love it very much 🖤🖤🖤🖤

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When a piece was choreographed on the dancers performing it, you can kinda just tell. And I think this is the perfect example of that. It's my favorite pas de deux of all time, partially for that reason. Over the years, standards for dancers' technical abilities get higher and higher. There have been others who've performed this same piece, with more impressive technical abilities. But, in my opinion, those versions can't ever be this perfect. Because this piece was made on these particular people's bodies, and it's optimized specifically for them. I think that's a fun thing to think about, not just as it pertains to dance. ---- Excerpt from "In the Middle, Somewhat Elevated" Sylvie Guillem & Laurent Hilaire (Paris Opera Ballet) Choreographed by William Forsythe (1987) https://youtu.be/YjMnCZB-oD4?si=T25yPyU5PWn4k1hO

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Until now, I was too anxious to oulipost. But why not try today?

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🖤🌳🌳🌳🖤

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