As the form of the mask develops, it is usually believed to acquire power increasingly in its own right, and again various procedures are prescribed to protect the craftsman and to ensure the potency of the object. If all the conventions have been adhered to, the completed mask, when worn or displayed, is regarded as an object suffused with great supernatural or spirit power. In some cultures it is believed that because of the close association between the mask maker and the spirit of the mask, the artist absorbs some of its magic power. A few West African peoples believe, in fact, that the creators of masks are potentially capable of using the object’s supernatural powers to cause harm to others.

The wearing of masks

The person who wears the mask is also considered to be in direct association with the mask’s spirit force and is consequently exposed to like personal danger of being affected by it. For the sake of protection, the wearer, like the mask maker, is required to follow certain sanctioned procedures in using the mask. In some respects he plays the role of an actor in cooperation or collaboration with the mask. Without the dance and posturing routines that the mask wearer performs, often to the accompaniment of music, the mask would remain a representation without a full life-force. The real drama and power of its form is the important contribution of the wearer. Covered by the mask and costume, the performer loses his previous identity and assumes a new one. Upon donning the mask, the wearer sometimes undergoes a psychic change and as in a trance assumes the spirit character depicted by the mask.