HECTOR

@ma3x

1295 Following

1820 Followers

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⛓ All trenches lead onchain

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I joined Farcaster on 2nd July 2023 which was 1 year, 4 months, 29 days ago. Since then, 98.4 percent of users have joined after me frame by @cashlessman.eth

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Thursday triumph: guessed it right and now I am eligible to earn $LUM $LUM! 🎞️ Try your hand at today’s game. Game powered by @percs.

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Claiming my @socialtoken airdrop and crediting @pry with my social airdrop

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⛓ All trenches lead onchain

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Is Bitcoin on Shaky Ground? Market Signals Reflect Patterns That Foretold the Recent Slide in Trump Media Shares

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my $hunt tip allowance 👏

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I am a level 4 caster! Powered by @airstack Social Capital Rank.

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"Bitcoin Bull: Charging through the storm, this powerful force drives the crypto market to new heights."

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Théodore Géricault, The Raft of the Medusa, 1818–1819

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Pablo Picasso, Les Demoiselles d’Avignon, 1907 The ur-canvas of 20th-century art, Les Demoiselles d’Avignon ushered in the modern era by decisively breaking with the representational tradition of Western painting, incorporating allusions to the African masks that Picasso had seen in Paris's ethnographic museum at the Palais du Trocadro. Its compositional DNA also includes El Greco’s The Vision of Saint John (1608–14), now hanging in the Metropolitan Museum of Art. The women being depicted are actually prostitutes in a brothel in the artist's native Barcelona.

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This whimsical image features a royal assembly of animals, each adorned with crowns and jewels, gathered around a majestic throne. At the center sits a regal polar bear, crafted from diamond-like facets, symbolizing its status as the king of this enchanted kingdom. The vibrant and playful scene is set against a clear, starry sky, with birds soaring above, adding to the sense of harmony and grandeur. The blend of majestic animals and sparkling gems creates a captivating and fantastical world, where nature meets the splendor of royalty.

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Gustav Klimt, The Kiss, 1907–1908 Opulently gilded and extravagantly patterned, The Kiss, Gustav Klimt’s fin-de-siècle portrayal of intimacy, is a mix of Symbolism and Vienna Jugendstil, the Austrian variant of Art Nouveau. Klimt depicts his subjects as mythical figures made modern by luxuriant surfaces of up-to-the moment graphic motifs. The work is a highpoint of the artist’s Golden Phase between 1899 and 1910 when he often used gold leaf—a technique inspired by a 1903 trip to the Basilica di San Vitale in Ravenna, Italy, where he saw the church’s famed Byzantine mosaics.

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This image captures a breathtaking vision of a futuristic city, where towering skyscrapers blend seamlessly with advanced technology. The skyline is adorned with sleek, modern architecture, and the city is illuminated by glowing blue holograms and neon lights. Flying vehicles soar above, hinting at a highly advanced civilization. The streets below are lined with meticulously organized buildings, showcasing the order and precision of this ultra-modern world. The image beautifully merges sci-fi elements with urban grandeur, creating a glimpse into a possible future of innovation and progress.

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