Iqbal Ameer

@iqbalaaameer

74 Following

12 Followers

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"Ticket prices are just astronomical right now," said David "5-1" Norman, an industry veteran who has toured with Prince, Green Day, and Alicia Keys. Why? Artists have lost their main revenue stream. https://digg.com/insider/link/jennifer-lopez-cancels-tour-slow-ticket-sales-concerts (1/5)

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What’s a meaningful perk to a fan? It was easy to tell at our most recent It’s The Ship in South Korea. Witnessing the results of a @allaccessio perk at the event. https://youtu.be/i4CkVu45CC8?si=eG7XzPvul0khMdx5 (1/6)

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In many industries, the incentives aren’t aligned. Some parts of the industry have adapted to the times and others are stuck in the past. I can only speak to my experience and the music industry is a perfect example of this. https://www.iq-mag.net/2024/05/germanys-melt-festival-to-close-after-27-years/ (1/8)

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Happy father's day, dad. (That's from my kids! Not me lol)

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Happy Daddy day!

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This is why Coachella will fail. Every organized event is its own silo. It’s actually one of the biggest problems with the industry at the moment. Instead of helping each other, we’re ‘failing’ each other by being competitors. (1/5)

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Customer loyalty has never been more important in this day and age. Festivals need data to be able to offer the right thing to their audience, build a great relationship beyond social networks and the sense of community has to be paramount. (1/2)

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Our mission at @allaccessio is simple. Build a community that empowers fans and promoters alike. Our goal is to tokenize fan loyalty so that the festival experience can be improved for everyone. (1/4)

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Festivals are made for the fans. But have you ever wondered why fans get a say in how things are run? Some do but not nearly enough.

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When does an empire die? It dies when no one believes in it anymore. I believe that live entertainment is at a tipping point. Cancellation after cancellation shows that something is wrong. Government grants are band-aids, they aren't going to the root cause. (1/2)

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Web3 loyalty has faced some challenges in the last year or so. Many thought it would be the killer use case, but it hasn't taken off as quickly as expected. 🧵

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"This is how it's always been" This is the single most self-destructive statement I've heard time & time again. Live entertainment has 'always been' a certain way because we choose not to change it. (1/4)

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Personal opinion: Music Festivals are more than just the 'music'. Their experiences. Curated based on the edition. And they are able to 'rent' IPs from all over the world and continue to curate / create experiences as an 'adult theme park' (1/3)

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Most marketers will tell you that there are 2-5% 'superfans' who will spend and engage the most will drive the majority of your revenues and that you should continue to 'squeeze' more out of these fans. I'm afraid that's not right.

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As I continue to preach community & feedback loops for festivals and the importance of this, many concert and festival promoters ask me how to cultivate and grow their platform. (1/5)

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Our little diamond in the rough @allaccessio is on the verge of finally stepping out of its shell. We believe in fan power. https://www.all-access.io/

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The real thing here is that as long as you get bigger, and continue to monopolise there is no centralised ticketing company on earth that can't charge exorbitant amounts. https://thehustle.co/the-sneaky-economics-of-ticketmaster

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From Hollywood's early days to today's global stage, I explore the evolution of booking agents, the challenges they face in securing artists for live events, and the potential of Web3 technology to reshape the landscape, offering new opportunities for empowerment and transparency. https://shorturl.at/fPQ05

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im a fan, @dwr.eth !

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Even just reading the stuff i see here get's me super bullish and excited about #web3 again!

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