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@hasoc

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The woman in white stokings (1927). Suzanne Valadon
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Great 5 $degen. I visited last Saturday an exhibition of Suzanne Valadon in Barcelona. She was first a model for Toulouse Lautrec and many other, and then she become great artist in a world of men. The woman in white stokings (1927). Suzanne Valadon
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Sure, and I would add,going in a wrong way is better than doubting and staying still… 5 $degen
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Beautiful 5 $degen
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Thank you. Your cast about art nouveau, has remembered me that I live in the paradise of art nouveau (Barcelona) 🤗
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Leafless flowers (1894). Ramon Casas, Barcelona 1866-1932. At the end of the 19th century, there was a paramedical belief that a person infected with syphilis could be completely cured if he had relations with a virgin, an idea parallel to that which exists today in black Africa regarding AIDS. The spread of this theory resulted in a terrible increase in cases of rape of adolescents. Casas denounces this fact with this work, in which he shows us a naked young woman lying on the ground surrounded by roses with their petals torn off, a symbol of the aggression of which she has just been the victim and which give the painting its title. The zenithal point of view from which she is depicted reinforces the feeling of helplessness that she gives off, further increasing the drama. This point of view is known in painting precisely as masculine-oppressive.
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Thanks Magda
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Thanks, loving Pissarro
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Interesting. Thanks for sharing this “shit story” 😁. 5 $degen One question Is the book of Chalumbeau in English or only in French? Another question, do you know about some book that speaks about art and tradition? I’m reading the book “The invention of tradition “ by Hobsbawm and Ranger, written by historians, and I would know about books that show how the art has the capacity to break the tradition.
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Great story 👏👏👏
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And 7/ Maybe because Pissarro didn’t understand the inequality of his world, he painted women thinking in an infinite future
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Drawings from “The Social Turbidities” (1889) by Pissarro 6/ Pissarro didn’t understand misery
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Drawings from “The Social Turbidities” (1889) by Pissarro 5/ Pissarro didn’t understand the story of Sophie Grande: Three years after her mother's death, her father went to prison. Two years ago, a wine merchant took her in as a servant for two pence a day, but the merchant went bankrupt and his property was seized. Not knowing where to go and not wanting to be a prostitute like her older sister, she went to the judge. The judge sentenced her to prison for being a vagrant. Pissarro wrote that he had no words to accompany his drawing in front of the judge's wise decision.
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Drawings from “The Social Turbidities” (1889) by Pissarro 4/ Pissarro didn’t understand the Golden Calf of Capitalism becoming our God, the stock market speculation, the opulence of the church
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Donkey Ride at La Roche-Guyon (1864 – 1865) by Camille Pissarro 3/ Pissarro did not understand the inequality between rich and poor and how the rich can enjoy their unjust wealth without caring about the gaze of the unjustly poor.
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Drawings from “The Social Turbidities” (1889) by Pissarro 2/ Pissaro did not understand concessionary marriages, he did not understand male violence, he did not understand the abandonment that leads women to suicide.
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A seated peasant woman (1885) by Camille Pissarro. 1/ The peasant women painted by Pissarro seem to be always looking into the distance to the infinite. They seem not to understand the world and, maybe, they want to overcome it. 👉
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Yeah, a bit creepy 😀 5 $degen
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Thank you. I love this series of Canaletto paintings (I'll add another one 👇) but the light and contrast of the first painting you mention is simply spectacular.
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Great! 5 $degen
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