Galerie Met
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Last day to see Norman Maýn’ solo exhibition Fieldnotes! On view until 18:00 today.
Norman Maýn
Wunderkind II (Beethoven: IX.), 2025
Pigment print, graphite, coal, spray paint, pigments on multiplex wood board
10 x 10 cm
Unique
Norman Maýn
Mini und Murmel / Mini and Murmel, 2025
Pigment print, graphite, coal, spray paint, pigments on multiplex wood board
10 x 10 cm
Unique
Norman Maýn: Fieldnotes
June 14 – July 12, 2025
Mariannenstrasse 33, 10999 Berlin 0 reply
1 recast
2 reactions
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1 recast
7 reactions
Last 3 days! Installation view of “Schuld und Sühne / Crime and Punishment” by Norman Maýn. On view until July 12.
Norman Maýn
Schuld und Sühne / Crime and Punishment, 2025
Video, field bed, hay, field stone, dead sunflowers, antique garden chair, antique binoculars,
Size variable
Unique
Norman Maýn: Fieldnotes
June 14 – July 12, 2025
Mariannenstrasse 33, 10999 Berlin 1 reply
2 recasts
3 reactions
0 reply
0 recast
5 reactions
Installation view of “A Horse full off Shame” by Norman Maýn. On view until July 12.
Norman Maýn
A Horse full off Shame, 2025
Pigment print, graphite, coal, wood, textiles, glue, soot, acrylic on cotton paper
Framed
59.2 x 44 cm
Unique
Norman Maýn: Fieldnotes
June 14 – July 12, 2025
Mariannenstrasse 33, 10999 Berlin 0 reply
0 recast
2 reactions
0 reply
0 recast
3 reactions
Installation view of “A Horse with no Name” by Norman Maýn. On view until July 12.
Norman Maýn
A Horse with no Name, 2025
Pigment print, graphite, coal, wood, textiles, glue, soot, acrylic on cotton paper
Framed
59.2 x 44 cm
Unique
Norman Maýn: Fieldnotes
June 14 – July 12, 2025
Mariannenstrasse 33, 10999 Berlin 0 reply
2 recasts
3 reactions
Friedrich Andreoni has been awarded the Italian Council 14th Edition – Grant to Support International Research and Residency Projects for Artists. His project will be developed in collaboration with Sharjah Art Foundation, Barjeel Art Foundation, KORA Contemporary Arts Center, and Alchemilla Bologna.
Andreoni’s first institutional solo exhibition in Germany, This all sounds, opens at the Caspar-David-Friedrich-Zentrum, where sound works, sculptures, drawings, and films interweave across four rooms — exploring themes of memory, potentiality, and spirituality.
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Friedrich Andreoni (*1995) grew up between Italy and the Middle East.
In 2020, he graduated from Weißensee Kunsthochschule Berlin and, since 2018, has been a member of the Studienstiftung des deutschen Volkes (German Academic Scholarship Foundation). From 2020 to 2022, he was awarded a DAAD scholarship (German Academic Exchange Service), allowing him to pursue his research at the Sound Department of the School of The Art Institute of Chicago. In 2022, Andreoni was the only visual artist to receive a special mention at the Pontifical Academy of Virtuosi del Pantheon Prize of the Vatican City, and in 2023, he won the Ducato Art Prize in the Academy section. In 2024, he inaugurated a series of public space installations entitled Arco, Arché, Archetipo as part of the program of Pesaro Italian Capital of Culture 2024. Friedrich Andreoni was recently one of the first artists-in-residence at Museo Novecento in Florence and completed the Meisterschüler program with Turner Prize-winning artist Susan Philipsz at HfBK Dresden, Germany.
At the beginning of 2025, Andreoni presents a solo exhibition at the Château de Fontainebleau, showcasing his recent video work “Sometimes” (2024), commissioned and realized in collaboration with the Fondazione Claudia Cardinale. Throughout the year, he is artist-in-residence at Alchemilla in Bologna and presents his first solo institutional exhibition in Germany, “This all sounds”, at the Caspar David Friedrich Zentrum in Greifswald. In 2025, Andreoni is awarded the Italian Council (14th edition), promoted by the Italian Ministry of Culture, and is invited by curator Francesco Bonami to participate in the 18th Quadriennale di Roma, scheduled to take place in Rome at the end of the year.
His works are part of public and private collections.
https://galeriemet.com/news/friedrich-andreoni-awarded-italian-council-grant-and-opens-first-institutional-solo-in-germany 0 reply
0 recast
2 reactions
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1 recast
5 reactions
Installation views of “Untitled” by Norman Maýn. On view until July 12.
Norman Maýn
Untitled (Herde ohne Hirte/Ich als Hund), 2025
Inkjet print, graphite, coal, ink, acrylic, wool hair, wood, soot, paper cut outs, sand, bandage on cotton paper
36.8 x 28 cm
Framed
Norman Maýn
Untitled (Nach dem Verlust), 2025
Inkjet print, graphite, coal, ink, acrylic, wood, soot, sand, textiles on matte fibre paper
36.8 x 28 cm
Framed
Norman Maýn
Untitled (00 509), 2025
Inkjet print, graphite, coal, acrylic, wood, ink, soot, sand, bandage, textiles on matte fibre paper
36.8 x 28 cm
Framed
Norman Maýn
Untitled (Hochsitz), 2025
Inkjet print, graphite, coal, ink, acrylic, wood, soot, sand, textiles on cotton paper
36.8 x 28 cm
Framed
Norman Maýn: Fieldnotes
June 14 – July 12, 2025
Mariannenstrasse 33, 10999 Berlin 0 reply
0 recast
4 reactions
1 reply
1 recast
10 reactions
0 reply
0 recast
2 reactions
0 reply
0 recast
2 reactions
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2 reactions
Works within the installation “Das Pferd Irrwisch / Irrwisch Principle” by Norman Maýn. On view until July 12.
Norman Maýn
Der Pfad / The path, 2025
Normi mit Bruder und Hund / Normi with brother and dog, 2025
Normi im Streichelzoo / Normi in the petting zoo, 2025
Das Haus / The house, 2025
Pigment print, graphite, coal, spray paint, pigments on multiplex wood board
10 x 10 cm
Unique
Norman Maýn: Fieldnotes
June 14 – July 12, 2025
Mariannenstrasse 33, 10999 Berlin 0 reply
1 recast
4 reactions
Installation view of “Untitled (Die Lichtung)” by Norman Maýn. On view until July 12.
Norman Maýn
Untitled (Die Lichtung), 2025
Fine art pigment print, graphite, coal, acrylic, pigments, emulsion, textiles, fake roses, coal, wood, ink, industrial paint, ash, soot, paper, cut-outs, hair, hay, wool on handmade cotton paper
Framed
170 x 120 cm
Norman Maýn: Fieldnotes
June 14 – July 12, 2025
Mariannenstrasse 33, 10999 Berlin 0 reply
0 recast
4 reactions
0 reply
1 recast
3 reactions
Installation view of “Untitled (Dissoziation)” by Norman Maýn. On view until July 12.
Norman Maýn
Untitled (Dissoziation), 2025
Clay, glue, paste, acrylic, pastel chalk, acrylic, industrial paint, lime, ash, soot, bast fibre, bird nest, hair, textiles, fake roses, tree parts, hay, ink, pigments, emulsion on stretched canvas
185 x 185 cm
Unique
Norman Maýn: Fieldnotes
June 14 – July 12, 2025
Mariannenstrasse 33, 10999 Berlin 0 reply
0 recast
6 reactions
The door to the room installation “Crime and Punishment” by Norman Maýn, part of his solo exhibition “Fieldnotes.” On view until July 12.
Norman Maý
Schuld und Sühne / Crime and Punishment, 2025
Video, field bed, hay, field stone, dead sunflowers, antique garden chair, antique binoculars,
Size variable
Norman Maýn: Fieldnotes
June 14 – July 12, 2025
Mariannenstrasse 33, 10999 Berlin 0 reply
1 recast
4 reactions