fakewhale
@fakewhale
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▪️ DISPLAYS ▪️
Donghoon Gang, attacca, at BOAN 1942, Seoul
“The basic principle of the Dyad is polarity. The tension between two poles are manifested as oppositions, contrasts, and differences across all natural and human affairs. While the Dyad appears to contradict unity, the paradox lies in the fact that the opposing poles remember their origin, and together as one, pull each other back to the origin, eventually forming the basis of all creative processes.”
https://log.fakewhale.xyz/donghoon-gang-attacca-at-boan-1942-seoul/
Exhibition view: Donghoon Gang, attacca, at BOAN 1942, Seoul, photo by: Dongwoong Lee, Augustine Paredes
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▪️ DISPLAYS ▪️
Antoine Félix Bürcher, Pissing In a River, at Temple Gallery, New York
“It’s hot out, burning, like a sauna, tempted to say, like hell. We stroll, on the frying pavement, my sandals are melting, my forehead, dripping with sweat. Here we are, in the gallery, in the museum, cooled and aware.”
🔗 https://log.fakewhale.xyz/antoine-felix-burcher-pissing-in-a-river-at-temple-gallery-new-york/
Exhibition view: Antoine Félix Bürcher, Pissing In a River, at Temple Gallery, New York
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▪️ DISPLAYS ▪️
Ding Shiwei, Specter’s Ventriloquism, at D-02, 798 West Street, Beijing
“Every corner of the exhibition – the eyes glowing under firelight, the severed metallic serpent body, the six-fingered iron fist, the crumbling flag, and the dissected monument – whispers a Luddite murmur around the neck, ghostly and persistent.”
🔗 https://log.fakewhale.xyz/ding-shiwei/
Exhibition view: Donghoon Gang, attacca, at BOAN 1942, Seoul, photo by: Dongwoong Lee, Augustine Paredes photo credit : dingshiwei_studio hunsand_space
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