Eric P. Rhodes on Warpcast

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❓Cryptoart Question of the Week ❓ There’s so much about the art community that goes unnoticed or misunderstood by those outside of it. What’s one thing you wish more people understood about the art community? And how can we better spread that message?

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I would love to hear your perspective @mxjxn.eth @empresstrash @wgmeets @amadon.eth and @mbranson ☝🏼

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I truly wish more people understood that for a great deal of us, it's not just about selling, that there's an art focused culture and bond with CryptoArt that goes beyond buzzwords, marketing or hype. Many of us move in different community groups and are about uplifting the artistic voice of an artist, have clearly defined values and stand for something when things go off.

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I’ll keep repeating this till I’m death: Art in web3 is not profit, is more meaningful and deeper than that. And well it’s more about educating rather than spreading in this scenario. At the beginning of NFTs everyone with an eth bag became a collector/gallerist/art connoisseur, it’s not how it works, there are all investors🤷🏻‍♂️

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I think this excerpt from Bluebeard sums it up - the nature of digital communication has meant that moderate giftedness that is growing towards greatness is discouraged because we all have to compete with the "champions" on a daily basis. Cryptoart gave a lot of artists a chance to begin to grow in their craft whereas outside of it there were no opportunities.

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That sharing art publically can be a very vulnerable thing

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Speaking as a small time collector, the big diff between web2 and web3 art for me is ease of communication with the artists. They know when they make a sale and can often, tho not always, track down the buyer on social media to thank them. As a collector, I can respond, converse, get to know them and in some small way also help promote their work. It seems like that would be worth advertising to artists not already in web3 but all I ever hear about is how you can sell NFTs instead of prints.

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Hi Eric I think if we had a space to talk and not just chat about ourselves and our works, it could help us get closer and this intimacy gives us a better understanding of the world around us and makes a work last.

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I think most don't read between the lines. So when you make art that has more layers, and a real message, it just doesn't come across

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Burning question: what kind of beard wax do you use ? 100 $RARE

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the fact that we are all here together as artist, and we have similar, if not the same goals.

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If you could teach a college/university course on anything, what would it be? What's the required reading?

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