A place to talk about art on Farcaster. Artwork created by jacob.eth

genuine question*: for artists who don’t like the new 30 cent default that some platforms now use, what’s stopping you from using a platform that allows you to set your own price or a higher default? 

what do you take into consideration when choosing a home for your art?


*all my questions are genuine lol

Farcaster

Photographer & Art Collector  -                hosting 
/dogwalk /aerial /art-collection www.zachlipp.com

I know next to nothing about the artspace in crypto or the real world.  Yet it seems to me one aspect lacking here at the moment are vocal benefactors who promote collecting 1 of 1s etc.  in my experience raising $ for non profits, the capital campaign announcement is only made once you have a certain % committed, effectively ensuring overall success.

Is there an active model in the Onchain art space where folks will debut collections with a portion already pre sold to build interest, and ideally these early collectors vocally championing the additions to their collection as a way to build excitement?

I would think one danger coming to Farcaster is to expect the current community (small) to have the resource base to carry the artistic community very far.  Tipping when Degen was going to a dollar vibes likely masked the current realities.

Anyway I’m excited to see artists here and will continue to support them in ways I am able.

Need more benefactors acting as megaphones in the art space.

Pre sell a portion of a collection before launching publicly.

/ted | exploring the onchain frontier | surfing @ venice, ca | eating @ gjusta / gjelina

Need more benefactors acting as megaphones in the art space.

Pre sell a portion of a collection before launching publicly.

https://warpcast.com/brixbounty/0xe1050a63

Growing veggies for the fine folks of Southeastern Massachusetts, w/ a focus on nutrient quality. Always interested in the evolution of digital payments.  🎩 

This is what gallerists do in the traditional art world. It’s a lot of work.

But collectors don’t want to be megaphones. They often would prefer to be unknown.