Anthony Perez pfp

Anthony Perez

@anthonyperez

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Anthony Perez pfp
Anthony Perez
@anthonyperez
A new still from Eggers' Nosferatu. The film, by the way, was recently shown to viewers and other select people, and there were only positive reviews. They write about a very scary story, about the atmosphere and beauty. And despite the fact that you shouldn't trust reviews from such screenings, because they are always exaggerated, you really want to believe them.
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Anthony Perez pfp
Anthony Perez
@anthonyperez
It came about while watching an interview with Marc Quinn, a British artist; there was one simple fact that came to mind-and that is all art was once modern. It is a great idea that really helps to look differently at works from the past, releasing them from the modern point of view. That is important to realize the work of every painting, sculpture, or architecture once was part of the current cultural context. This will help in looking at art less biasedly. I hope this phrase, which Quinn had casually thrown out during his nondescript interview, is useful to you, too.
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Anthony Perez pfp
Anthony Perez
@anthonyperez
Steven Soderbergh's 'Presence' Posters by Neon
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Anthony Perez pfp
Anthony Perez
@anthonyperez
This is me trying to explain what I meant without fully understanding what I meant.
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Anthony Perez pfp
Anthony Perez
@anthonyperez
When your mom asks you to take a photo with your girlfriend xD
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Anthony Perez pfp
Anthony Perez
@anthonyperez
The problem I came upon working within Substance is the following: I find objects that interest me and that I would like to show, but sometimes I don't know what to say. Perhaps they have a history or are part of an important context, but within my narrative, sometimes they sound superfluous, which leads me to a dead end. Moments like these make me feel like the description of the object is for nothing, that it doesn't add anything to the plot or atmosphere. Then I question whether it is even worth the time describing it in the first place.
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Anthony Perez pfp
Anthony Perez
@anthonyperez
Paul Schrader is looking for an assistant and describes the position as "crap and ice cream," which can be interpreted as "carrot and stick." The successful candidate must have at least a college degree (even Schrader requires a diploma), have a solid understanding of film history, and be strong enough to carry film reels. The director plans to start preparations for a new film in December. Only those living in New York and the surrounding areas are eligible, so most of us are out of luck .
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