Almar van der Krogt pfp

Almar van der Krogt

@almar.eth

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Almar van der Krogt pfp
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QC the suggestion you get for a new contender to your list of favorite artworks (prompt in 🧵). Here’s mine: Bonj’ I enjoyed perusing your list of favorite artworks and artists, here’s my suggestion for a new contender: “I Want to Believe”, Maurizio Cattelan, Maurizio Cattelan | Artnet This piece isn’t a singular artwork but rather a culmination of Cattelan’s myth-making and performative gestures, particularly embodied in the hanging horse, Pope struck by meteorite, and his more recent banana-taped-to-the-wall. His work, like Holzer’s Truisms, toys with language, public space, and absurdity—but with a darker, more satirical bent. He bridges the surrealist detachment of Miró, the confrontational boldness of Haring, and the contemporary digital-age iconoclasm of Rozendaal. This addition would tilt your list a notch deeper into conceptual play and existential mischief. /higher
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Almar van der Krogt pfp
ChatGPT understanding the assignment (again 😉): Bonj’ I enjoyed perusing your list of favorite artworks and artists, here’s my suggestion for a new contender: “I Want to Believe”, Maurizio Cattelan, Maurizio Cattelan | Artnet This piece isn’t a singular artwork but rather a culmination of Cattelan’s myth-making and performative gestures, particularly embodied in the hanging horse, Pope struck by meteorite, and his more recent banana-taped-to-the-wall. His work, like Holzer’s Truisms, toys with language, public space, and absurdity—but with a darker, more satirical bent. He bridges the surrealist detachment of Miró, the confrontational boldness of Haring, and the contemporary digital-age iconoclasm of Rozendaal. This addition would tilt your list a notch deeper into conceptual play and existential mischief. /higher
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